Topic: Films

The discussion touches on allegations regarding Hunter S. Thompson and the filming of a snuff film in the back of the Viper Room. The host suggests a correlation between Thompson's reported abuse of his cat and the potential for more extreme depraved behavior.

Greg Carlwood welcomes author and pop culture critic Jay Dyer back to the program to discuss the completion of his book trilogy, Esoteric Hollywood 3. The conversation establishes the history of their interviews dating back to 2015, focusing on the intersection of film, magic, and mass mind control. Dyer reflects on a decade of analyzing science fiction and predictive programming within the industry.

The discussion explores the influence of author Jason Horsley, who views Stanley Kubrick as an overrated director and a figure deeply embedded within "nasty" elite social circles. While Snyder remains a fan of the films, he acknowledges Horsley's research regarding Kubrick's personal associations. This perspective challenges the popular conspiracy trope that Kubrick was an "insider" trying to leak secret knowledge to the public through films like Eyes Wide Shut.

Stephen Snyder addresses the persistent theory that Stanley Kubrick directed the Apollo moon landing footage. He argues that the focus on the moon landing serves as a form of misdirection, causing researchers to overlook more significant details in films like Barry Lyndon. Snyder expresses skepticism toward the hoax claims, noting that many of the "clues" cited by theorists are standard elements of Kubrick's obsessive production style.

The origin of the Kubrick moon landing theory is traced back to Bill Kaysing’s 1976 book, "We Never Went to the Moon." Snyder explains that while Kubrick consulted with NASA for "2001: A Space Odyssey," this was consistent with his habit of hiring experts for all projects, including his unrealized Napoleon film. Analysis of Kubrick’s daily records shows no undocumented time frames where he could have realistically filmed secret lunar footage.

Ben Joseph Stewart discusses the 1963 film Omicron and its thematic similarities to modern events, speculating on whether the global injection campaign relates to a non-human colonization effort. He clarifies that he views technology as a form of "applied math" used to manipulate resources. The segment touches on the rebranding of UFOs as UAPs and the potential for an "onboarding process" for extraterrestrial contact.

The discussion focuses on Trevor James Constable’s work capturing atmospheric entities using infrared and ultraviolet film in the 1960s. The guest references NASA footage, specifically the "tether incident," where large circular objects appeared to move behind a space tether. These entities are theorized to use natural propulsion systems that leverage the fundamental energy of reality.

Matthew LaCroix announces a major five-country expedition planned for May 2024, covering the United States, Turkey, Peru, Bolivia, and Egypt. The project will involve scientists and experts to document the "origin point" of civilization at Lake Van and its spread across the globe. The expedition will be chronicled in a documentary film and ongoing content on his website, thestageoftime.com. LaCroix also mentions future plans for hosting public tours to Lake Van to share these discoveries firsthand.

L.A. Marzulli provides his contact information and website links for listeners to access his 13 books and 25 films. He encourages the audience to educate themselves on these topics through his streaming platform. Host Greg Carlwood thanks Marzulli for his decades of dedication to the field of Nephilim research.

Dr. Andrew Wakefield concludes the interview by directing listeners to 1986theact.com for resources, DVDs, and home screening licenses. He mentions his ongoing filmmaking work at 7th Chakra Films and a podcast available on SoundCloud. Despite censorship and theater lockdowns, he remains committed to using documentaries to expose fraud and corruption within the pharmaceutical industry.

The short film "Day Eight" serves as a proof of concept for a feature-length project produced in Atlanta with like-minded industry professionals. The film is described as a life-affirming comedy about marriage, intended to provide a positive cultural example for millennials in contrast to typical Hollywood offerings.

The initial Missing 411 research focused heavily on children under ten who disappeared instantly and were often found miles away in locations physically impossible for them to reach. Paulides discusses how these children are sometimes found on previously searched paths, occasionally missing clothing or shoes. The first Missing 411 film highlighted these cases to demonstrate to parents and the public that these events defy normal expectations of child behavior and physical capability.

Reflecting on his workload, Paulides explains that he is spread thin but plans to continue making films using the successful formula established in "The Hunted." He describes his books as case files written in a disciplined, law-enforcement style without unnecessary drama or intrigue. He encourages the audience to watch the films for the trail safety guidelines and to understand the nightmare faced by the victims' families.

Jay Dyer recommends the films of Panos Cosmatos, specifically Mandy and Beyond the Black Rainbow, for their deep esoteric and psychological themes. He describes Beyond the Black Rainbow as an overbearing experience that feels like a mind control experiment. Dyer suggests these films require a specific mindset to properly appreciate their stylistic and philosophical depth.

A clip of Asia Argento's 1997 speech at the Cannes Film Festival is played, where she publicly accused Harvey Weinstein of rape and warned other predators in the industry. The host reflects on the significance of this speech occurring just weeks before Anthony Bourdain's death. The segment transitions into a summary of the second-hour content regarding the resource exploitation of Africa.

Societal fear of the occult often stems from the perceived threat to personal sovereignty and the privacy of one's own mind. Dr. Dean Radin discusses how entertainment media frequently frames the paranormal as horror because the idea of distant influence is inherently frightening. This fear is compounded by historical associations between psychic claims and mental illness, as well as religious and scientific efforts to marginalize these topics.

Dr. Scott Kolbaba reveals that a film producer in New York is currently developing a television series based on the book's accounts. He is also working on a sequel and additional books focused on the untold stories of nurses and religious leaders. The segment concludes with information on where to find the book on Amazon and how listeners can submit their own miraculous stories via his website.

The episode concludes with a preview of the "Plus" segment, which covers Jack Nicholson's alleged role in cleaning the Tate murder scene and snuff film allegations against Hunter S. Thompson. The host highlights the suspicious nature of Roman Polanski being out of the country during the murders. The show wraps up with a call to join the subscription service and a closing musical track about elite manipulation.

The Scole experiments, conducted by members of the Society for Psychical Research in East England, are cited as significant evidence for the survival of consciousness. Over a year of sessions, the group reportedly produced "imported" objects, including 1940s newspapers with obsolete ink and sealed Kodak film canisters containing unrolled messages and formulae. These phenomena are presented as a "smoking gun" for the reality of a spirit world that exists independently of conventional religious interpretations.

Host Greg Carlwood introduces artist and filmmaker Jeremy Corbell to discuss his research into the UFO phenomenon. The conversation highlights Corbell's commitment to high-quality visual production and HD cinematography as a means to professionalize the conspiracy and ufology communities. Corbell emphasizes that improving the visual medium is essential for engaging new audiences in the study of phenomenology.