Topic: Medium

Greg Carlwood addresses listener feedback regarding a previous guest and a critical piece by Johnny Vedmore. He explains his process for researching guests and his decision to move controversial personal discussions to the Plus segment. The segment highlights interesting research found in the guest's work regarding Gerald Ford and Hunter S. Thompson, despite the personal controversies surrounding the author.

The work of Dr. Julie Beischel regarding after-death communication and mediumship is examined as a case study in digital shadow banning. Tsakiris notes that while Beischel is a world-renowned expert with peer-reviewed research, Google search results often omit her information while other LLMs like ChatGPT recognize her. The segment highlights the "clumsy censorship" of mainstream search engines compared to the more open data access of newer AI models.

Shannon Taggart announces an upcoming interdisciplinary event at Lilly Dale scheduled for July 25th through 27th. The gathering aims to bring together artists, academics, and experiencers, featuring speakers like Larry Arnold on spontaneous human combustion and a live podcast by "Weird Studies." The event will also include a screening of a rare film about "Marjorie the Medium" and a painting exhibition by artist Tim Kerr. Taggart expresses her belief in the "magic of books" and her gratitude for the completion of her long-term project.

Schwab reinterprets the experiences of targeted individuals and those diagnosed with schizophrenia as people whose perception has shifted to see two worlds simultaneously. He argues that the hardening of senses caused by man-made foods prevents most people from seeing the "planetary light show" occurring in the sky. The sky is described as a visionary medium that reflects the mental state of the observer, rather than just a physical void.

The conversation explores James Clerk Maxwell's original ether model, which posits a fluid medium where forces create vortices and gaseous particles. Vandenberg asserts that this model aligns with the four elements and explains how Tesla viewed electricity as a gaseous medium rather than just moving electrons.

Vandenberg describes the technical nature of creating a standing longitudinal wave within the Earth's gaseous medium. He clarifies that the wave itself does not have an electrical effect but serves as the medium through which electromagnetic signals can be amplified and transmitted.

The ether is defined as a primordial medium from which all matter emerges, a concept Eric Dollard links to Wilhelm Reich’s work. Dollard recounts the destruction of his million-dollar seismic sensing installation in the Mojave Desert, which he claims was targeted by powerful intelligence and law enforcement agencies. He asserts that utility companies and academics ignore electrical seismology because it threatens their funding and established Einsteinian philosophies.

Dr. Joseph P. Farrell returns to the program to discuss his latest book, Microcosm and Medium: The Cosmic Implications and Agenda of Mind Control Technologies. Farrell, who holds a doctorate in patristics from Oxford University, frames mind control through an ancient cosmological lens rather than just modern technology. The work explores how the underlying philosophy of mind manipulation is rooted in an ancient grammar of the cosmos.

Brad Olsen traces the origins of exotic German technology back to the Vril Society and psychic medium Maria Orsic. He claims Orsic channeled technical blueprints from the Aldebaran star system during the early 20th century. This segment links these occult practices to the development of advanced propulsion systems and flying craft prior to the rise of the fascist government in 1933.

Peter Janks directs listeners to his website and Facebook page for the Thai Occult series, published by Timeless Editions in France. He expresses exhaustion after completing the third volume and plans to focus next on a photographic project to tell the story of the Thai occult visually. He intends to use profits from the current book to purchase a new medium-format camera for this purpose.

Patrick Harper describes growing up in a family open to supernatural experiences, including a mother who was a spiritualist and a grandmother who served as a trance medium. Despite an English Protestant upbringing, his father claimed to have seen fairies twice during his youth. Harper explains how these early influences prevented him from adopting a conventional career in banking, leading him instead to investigate UFOs and other worlds.

To help visualize ether resistance, Murakami uses the analogy of a household fan. He explains that while an object can easily pass through stationary fan blades, a spinning fan occupies more space per unit of time, making it harder for the object to pass. This illustrates how rotation interacts with the ether medium to change the physical properties of an object's movement.

The genesis of the German secret space program is traced back to 1919 and the Thule Society's collaboration with psychic medium Maria Orsic. Orsic reportedly received technical blueprints for space-time devices through automatic writing in ancient Sumerian, allegedly communicated by extraterrestrial or inner-earth beings. These efforts led to the development of the Vril craft prototype, coinciding with the rise of the Nazi party which the Thule Society helped fund and protect.

The physical medium is described as a transmutative, information-rich environment that mirrors alchemical principles. Farrell compares ancient views of "nothingness" to modern quantum mechanics, where particles are collections of mathematical descriptions rather than solid objects. He argues that the description of physical reality has effectively substituted the reality itself in both ancient theology and modern physics.

The discussion explores how major global events function as a form of theater designed to distract or traumatize the public. Tesarion argues that society has been reduced to an infantile level where reality is perceived through digital mediums like television and cinema, serving as modern "bread and circuses" for the masses.