Topic: W J Perry

The discussion shifts to the color blue as a symbol of alchemical transformation and ritual sacrifice. Donut links the viral use of methylene blue by RFK Jr. and the "horse tranquilizer" ketamine to ancient Mayan practices of painting sacrifices blue. Recent performances by Beyonce and Katy Perry featuring blue horses and portals are analyzed alongside historical cult events like Jonestown and Heaven's Gate, which reportedly featured blue-themed elements during their final acts.

In the post-interview wrap-up, Greg Carlwood reflects on the "blue sacrifice" theme, specifically the recurring blue horse imagery in major cultural events like the Olympics and Beyonce's tour. He expresses some skepticism regarding the "mantids in the Wi-Fi" theory but acknowledges the potency of the synchromystic connections found in Donut's research. Carlwood suggests these celebrities act as templates for ancient archetypes and rituals.

The deaths of Anne Heche and others are linked to ritual dates associated with the goddess Hecate. Symbolism from Katy Perry’s Super Bowl performance, including her flame dress and "Whore of Babylon" imagery, is connected to the death of a woman named Ellen Brody in Valhalla, New York. The name "Ellen" is noted to derive from the Greek word for "torch."

Chris Knowles analyzes Katy Perry’s flight on Jeff Bezos’s Blue Origin New Shepard rocket as a ritual dedicated to the goddess Ishtar. The discussion highlights the mission patch's eight-pointed star and the name "New Shepard" as references to the Babylonian deity Dumuzi. Knowles argues that private space programs are less about exploration and more about clandestine missile testing and performing obligations to "sky gods" through symbolic timing and iconography.

Greg Carlwood highlights inconsistencies in NASA's satellite imagery of Earth and the lack of star movement in time-lapse photography. They discuss the work of Randall Carlson regarding landscape impacts and W.J. Perry’s book "Children of the Sun." The conversation emphasizes that the Egyptian Empire may have been conquered by a more sophisticated African power that has been omitted from conventional history.

McDowell describes the "Evolution 2.0" contest, a $10 million prize involving Perry Marshall and George Church aimed at solving communication theory in genetic sequencing. She suggests this effort is an attempt to "break the code of life" and achieve a "coup of God" by mastering the intelligent design of biological information.

Political events and propaganda utilize powerful archetypes to trigger specific psychological responses in the public. Imagery of leaders like Barack Obama often mirrors historical displays of power to establish an "alpha male" status. Similarly, pop culture figures like Katy Perry invoke ancient goddess archetypes during high-profile performances to enchant and influence the audience.

After hitting rock bottom in Los Angeles, Green describes a profound spiritual experience while driving that shifted his consciousness toward a state of bliss. He recounts a "conversation" with the divine that led him to ask for exactly $60,000 to clear his debts and a new record deal. Shortly after, he was contacted by producer Richard Perry and signed a deal with ABC that included an advance of exactly $60,000.

The power of image magic is discussed in the context of modern spectacles, such as Katy Perry's Super Bowl performance featuring a flaming lion. Unlike other forms of magic that rely on secret names, this branch of astrology suggests that simply displaying the image is enough to attract specific celestial intelligences. The hosts speculate that these public rituals may be used by the elite to manage history or deflect negative energy, though the specific intentions remain hidden from the public.

The 2017 remake of Beauty and the Beast is analyzed for its symbolic language, including the portrayal of the Beast as a "fallen hero" similar to Satanic archetypes. Connections are made between the Beast's appearance and Aleister Crowley's descriptions of demonic entities. The character Lumiere is identified as a "light-bringer" or Luciferian figure, contributing to the subconscious delivery of occult belief systems.

Research suggests that multiple underground facilities in North Carolina, including one beneath Mount Mitchell, are connected by a network of tunnels. The Mount Mitchell facility is reportedly 20 stories deep, while the Perry Astronomical Research Institute (PARI) is described as a self-sufficient, six-story deep city. Originally a Cold War defense site, PARI is now publicly presented as an educational astronomy center.

Jamie Fly details her successful prediction regarding Katy Perry’s Super Bowl performance, which involved the singer riding a giant cat-like beast. This imagery is linked to the Whore of Babylon and the "Lust" tarot card designed by Aleister Crowley. Perry is described as a "presidential model" mind control slave, a role previously associated with figures like Marilyn Monroe, used to broadcast military-industrial complex triggers.

Katy Perry’s strict Christian upbringing is analyzed as a common precursor for individuals who later adopt occult or "dark" personas. A significant connection is noted regarding Perry’s father, who reportedly dealt LSD for Timothy Leary before becoming a pastor. This link suggests potential CIA involvement in the family's history, fitting a pattern of mind control and social engineering within the music industry.

A V Magazine photo shoot featuring Madonna and Katy Perry is analyzed for its use of bondage imagery, which is cited as a top symbol of mind control. The shoot is described as a "passing of the torch" ritual from the older high priestess, Madonna, to the newer one, Perry. This follows Perry’s public comments in Rolling Stone regarding her desire to join the Illuminati.

The 2014 Chinese Year of the Horse is analyzed through various cultural synchronicities, including the Denver Broncos' Super Bowl appearance and Katy Perry's "Dark Horse" video. The death of actor Philip Seymour Hoffman from a "horse" (heroin) overdose is cited as a potential ritualistic event.

Dan Fogler announces that Don Peyote will be released in theaters and on VOD in May. Greg Carlwood concludes the interview by encouraging listeners to support alternative media and independent films to ensure more diverse content exists outside the mainstream. He emphasizes the importance of the conspiracy movement gaining visibility in the public eye.

The relationship between Russell Brand and Katy Perry is analyzed through the lens of industry control and handlers. Hanshaw discusses Perry's Part of Me documentary, describing the intense physical and emotional toll of her tour schedule and suggesting that the couple's separation may have been orchestrated by those who manage their public personas.

Katy Perry's music videos and public appearances are cited as examples of military and political programming. Hanshaw compares Perry's "Part of Me" video to the reality of a female veteran's experience and notes Perry's use of ballot-themed dresses to promote Barack Obama during his election campaign as a form of celebrity-driven social engineering.

The discussion explores how media like "Percy Jackson" and Katy Perry’s "ET" music video condition children to accept the idea of entity invocation and possession. Freeman Fly explains his strategy of using entertainment and humor to share conspiracy research, such as his occult analysis of pop stars. He mentions plans for a new television show on "The People's Voice" or his own website to make these serious topics more accessible.

The guests mock the excessive number of Republican primary debates, characterizing them as a reality show designed to generate revenue. The Macho Man character rants about the absurdity of having debates in every corner of the globe and beyond.