Topic: Sound

Christopher Knowles recalls a difficult year in 2016 marked by "paranormal bad things" and personal loss. He describes White's "tough love" approach, where instead of offering a shoulder to cry on, White challenged him to find the lesson in the "bad craziness." This perspective forced Knowles to deal with his situation as an adult.

Host Greg Carlwood describes a series of unfortunate events surrounding the recording of an interview about the Greek god Hermes. These complications included a motorcycle accident causing a 40-minute delay, guest illness, and severe audio echo loops in the studio. The host suggests these "wrenches" might be a form of cosmic interference from Hermes himself, as the guest's book was reportedly a result of a direct download from the deity.

Production has moved to a sound-treated studio in Tampa, Florida, featuring an in-house audio engineer to eliminate environmental noise like storms and planes. While remote interviews will continue, the professional studio setting is expected to improve guest recruitment by offering a high-quality visual presentation. Free listeners will now have access to the first hour of episodes in video format on YouTube to aid show promotion.

Farrell cites ancient texts like the Epic of Ninurta and the Edfu Temple Texts to support the weapon hypothesis. These writings describe "mountains" being used in the wars of the gods and mention devices like the "Sound Eye," which Farrell interprets as an electromagnetic-acoustic longitudinal wave weapon. He highlights descriptions of gods being seized by "nets" or crushing forces near pyramids as evidence of localized gravitational amplification technology.

Indigenous tribes have been reported to use drum circles and chanting to levitate large boulders, a practice involving seven trumpets and seven drums. This aligns with the study of cymatics, where sound frequencies create physical patterns in matter. It is suggested that ancient, flawless buildings were sculpted using sound rather than primitive manual labor, explaining their mathematical perfection.

Ben Joseph Stewart discusses his film Awake in the Darkness, which follows Aubrey Marcus through a week-long darkness retreat in Germany's Black Forest. The retreat concluded just as the 2020 global lockdowns began, a timing Stewart finds significant. He describes the film's focus on sound design and Marcus's internal psychological journey, framing it as a story of human self-discovery rather than a conspiracy documentary.

A live recording of Tom Kenyon channeling sounds is presented to provide context for his unique vocal abilities. The introduction highlights Kenyon's background in studying consciousness and non-human intelligence, specifically mentioning a potent visual experience during a "Cave of Altruin" Hathorian sound meditation. The sounds are described as unfiltered streams of consciousness produced in a single take using a near four-octave vocal range.

The "imaginal box" is introduced as a mental tool for processing information that may seem illogical or violating to one's current value system. This technique allows individuals to hold complex or strange channeled material without immediately accepting or rejecting it, facilitating a more open exploration of non-physical dimensions. The discussion emphasizes using personal logic and integrity when navigating messages from the Hathors or other spiritual sources.

Cartel organizations have integrated human trafficking into their primary business models, often using the same smugglers for people and fentanyl. Many migrant workers in the U.S. service and agricultural industries are effectively indentured servants, paying off debts to traffickers while their families are held as collateral. The film "Sound of Freedom" and its lead Jim Caviezel have brought renewed public attention to the scale of modern slavery.

DeCarle reveals Soviet-era research into peptides derived from cow retinas, originally developed to protect soldiers from American blinding lasers. This top-secret project involved over a hundred scientists and resulted in treatments that can trigger stem cell activity to rebuild the human retina. He also mentions suppressed sound weapons that could disable tanks and cause physiological distress without killing.

A unique entity known as the "Kinderhook Blob" was sighted by Hollenbeck and his cousin Sherry in their youth. Described as a bulbous, bluish-white shape that emitted a high-pitched whistling sound, the entity appeared to lack eyes but projected a sense of watching. A separate sighting by a friend named Jerome involved the blob floating down a hill toward him.

The research team documented a white humanoid figure peeking from behind trees near their campsite at 0200 hours. Additionally, multiple members recorded "Samurai Chatter," a type of complex vocalization associated with Bigfoot research and the Sierra Sounds. These events suggest the location is a multi-disciplinary hotspot where various paranormal phenomena, including cryptids and UAPs, overlap.

Ben Joseph Stewart describes his latest film, Awake in the Darkness, which documents Aubrey Marcus undergoing a week-long darkness retreat in Germany's Black Forest. Marcus entered the retreat in January 2020 and emerged just as the global lockdowns began, a timing Stewart finds highly significant. The film explores the psychological journey of self-discovery and the importance of rites of passage, which the hosts agree are dangerously absent in modern Western culture.

Evans reinterprets the famous "Sierra Sounds" recorded by Ron Moorhead and Al Berry in the 1970s, attributing the "samurai chatter" to Tall Whites rather than Sasquatch. He notes that the recordings feature complex vocalizations, whistling, and mechanical humming often associated with underground crypto-terrestrial habitations.

Clive DeCarle introduces his "Secret Health Club," a private membership site designed to bypass censorship and provide information on controversial health topics. He highlights content regarding pain-free "orgasmic" childbirth, children being taught to see while blindfolded, and the Dunston Baby Language system. These topics are presented as examples of human potential and natural wisdom that are often suppressed by mainstream institutions.

Greg Carlwood introduces the Higher Side Chats, promoting the Plus membership program before welcoming guest Eileen Day-McCusick. McCusick is the founder of Biofield Tuning and author of Tuning the Human Biofield, a work based on her master's thesis regarding audible sound's effect on the human body. The discussion sets the stage for exploring electromagnetic fields and the Biofield Tuning Institute's research into non-traditional healing modalities.

Greg Carlwood discusses the transition to a professional audio editing company, crediting the support of Plus members for the improved sound quality of the show. Despite a short recording time due to heavy rain noise at the guest's location, the new editors were able to level and compress the audio effectively. Carlwood encourages listeners to apply the geomantic template discussed in the episode to their own local landmarks and share findings in future sessions.

A case in northern New York involves a group of elderly hunters where one witness reported hearing a strange, fast "clank" or "clang" sound during a disappearance. Paulides notes the unusual presence of the FBI in this case, despite the agency typically lacking jurisdiction over missing adult searches in the woods. Search and rescue commanders expressed confusion over why federal agents appeared to monitor the case when no criminal activity was suspected.

Incidents of freshwater electrocution, such as a fatal event on the Charlotte River, are attributed to electrified water caused by ground currents. Dr. Milham details his measurements on Squaxin Island in the Puget Sound, an uninhabited tribal island where he found significant electrical currents running through the soil. These currents originate from mainland substations and travel through the water and earth, affecting areas far removed from visible power infrastructure.

A brief discussion touches on the 1940 Disney film Fantasia and its role in introducing new sound experiences to the public. The host suggests the film may have been used to normalize specific frequency standards.