Topic: Paris

In 1923, Nicholas Roerich reportedly received a fragment of the Chintamani Stone in a casket marked "Bankers Trust" while staying in Paris. This delivery was facilitated by Louis Levy Horch, a wealthy New York stockbroker and Roerich disciple who funded the construction of the Master Building in Manhattan. The building, dedicated to Roerich, features pyramidal architecture that mirrors the symbolic themes found in the Bankers Trust headquarters and the U.S. dollar.

The episode closes with a song featuring lyrics about societal decay in major cities like New York, Chicago, Brussels, and Paris. The themes of the music mirror the discussion on the "long shadow" cast by the current global system and the difficulty of finding a way home in a broken world.

Sam Tripoli shares anecdotes about a professional porn tape broker, Kevin Blass, who was involved in the distribution of famous celebrity tapes including those of Paris Hilton and Kim Kardashian. The conversation explores how the industry uses sexual compromise as a tool for career advancement or blackmail. Connections are drawn between historical events like the Manson murders at the Roman Polanski residence and modern "Diddy" style parties used for filming compromising material.

The mascot for the Paris 2024 Olympics, a Phrygian cap, is identified as a potent symbol of the god Mithras rather than just a simple icon of liberty. This choice is linked to France’s current national anxiety regarding its former colonies in Africa and the conflict in Ukraine. The segment explains how the "Liberty cap" was adopted by Masonic revolutionaries to serve as a secular alternative to traditional religious icons.

The BRICS nations, including China and Russia, are actively implementing the UN's Agenda 2030 and the Fourth Industrial Revolution despite their perceived opposition to Western dominance. Official documents from G20 summits show that these nations are committed to high-tech surveillance solutions and the Paris Agreement. The geopolitical tension between these blocks is characterized as theater that masks a shared commitment to a globalized industrial and financial script.

There is a concerted effort to establish an "IPCC for food" to create global agreements similar to the Paris Agreement. Francisco Branco of the WHO has suggested that food policies should trickle down from international bodies to national governments, effectively bypassing bottom-up democratic processes. This strategy aims to use the WHO as a controlling body to push through specific dietary ideas under the guise of global health coordination.

Forrest Maready argues that the rise of pandemic polio in the late 1890s correlates directly with the introduction of new industrial pesticides like lead arsenate and Paris Green. While the medical establishment points to ancient Egyptian hieroglyphs as evidence of polio's long history, Maready suggests these were isolated cases of paralysis rather than the epidemic seen in the Northeast United States. The research highlights a one-to-one correlation between heavy pesticide use in Boston and the onset of the disease.

A confrontation with a representative from the Sierra Club highlights the divide between mainstream environmental NGOs and weather modification researchers. Jim Lee criticizes the organization for dismissing the heat-trapping effects of aviation-induced clouds while focusing on carbon dioxide. The interaction underscores Lee's frustration with the perceived lack of accountability for metal nanoparticles and artificial cloud cover in climate policy.

The 2020 stimulus bill and political corruption in Washington are framed as manifestations of the United States facing its natal Pluto return. Ross Ben discusses the Treaty of Paris chart and suggests the nation is undergoing a reckoning regarding omniversal law. He further predicts a period of DNA awakening for humanity, particularly among the youth, leading into 2022.

The discussion covers the Paris Climate Accords' alleged goal of returning society to a 1750s pre-industrial lifestyle. Tavares claims that technology used on the US-Mexico border and for the power grid is sourced from Israel. Additionally, she asserts that Caltrans road sensors in California are operated through China, further compromising national infrastructure.

Ross Ben analyzes the astrological significance of the Treaty of Paris, signed September 3, 1783, as the true birth of the United States. He discusses the geopolitical tension in 1793 when the French Republic declared war on Great Britain and demanded U.S. support. President George Washington responded with the Proclamation of Neutrality on April 22, 1793, an "America First" policy that triggered conflict with French interests.

Modern films like Roman Polanski’s The Ninth Gate and Woody Allen’s Midnight in Paris are cited as examples of the mysteries continuing in popular media. The Ninth Gate mirrors the use of symbolic books found in Stirling Castle and Williamsburg, while Midnight in Paris reflects the time-travel experiences described by author Patrice Chaplin in Catalonia. These directors are suggested to be using material derived from genuine mystery school traditions.

Elite families often maintain private fraternities that function as secret societies, influencing the architectural layout of major cities like Paris and Washington DC. This knowledge is expressed through the alignment of state offices and business districts, as well as in modern corporate logos. Lindahl notes that while these symbols were once found in literature, they have now transitioned to digital media, movies, and the "quest" narratives of authors like Dan Brown.

Connections are drawn between the death of Chris Cornell and the Cocteau Twins song "Frou-Frou Foxes in Midsummer Fires." Cornell performed his final show at the Fox Theater on the eve of St. John's Day (associated with midsummer fires) and owned a restaurant in a French fashion district (linked to the term "frou-frou"). His deep personal bond with Jeff Buckley, including carrying Buckley's red phone on tour, is highlighted as a key link in the saga.

In the late 19th century, Paris utilized a vacuum-based waste handling system that required significantly less water than modern gravity-fed sewers. The discussion suggests that while spiral-veined pipes would improve water health and efficiency, the cost of retooling modern infrastructure prevents their adoption. Current plumbing remains "verboten" to these natural vortex-inducing designs.

Greg Carlwood introduces researcher Ole Dammegard to discuss recent global violent events, specifically the November 13th Paris attacks and the San Bernardino shooting. Dammegard, author of "Coup d'Etat in Slow Motion," returns to the program to analyze discrepancies in official narratives. The discussion frames these events within the historical context of false flag operations like 9/11 and the Gulf of Tonkin incident.

Ole Dammegard claims that ISIS is a joint creation of the CIA and Mossad designed to facilitate geopolitical goals. He details his attempts to warn the public about a 2015 attack in Copenhagen one month before it occurred, based on inside sources. The narrative links various European events, including incidents in Dublin and Florence, as part of a singular coordinated plan.

A detailed timeline of the November 13th Paris attacks is provided, starting with explosions at the Stade de France during a France-Germany soccer match. The narrative covers shootings at Le Carillon, Le Petit Cambodge, and the Labelle Equipe bar before focusing on the massacre at the Bataclan theater. Discrepancies in the official death tolls and the number of attackers are questioned.

The lack of forensic evidence and CCTV footage at the Stade de France is scrutinized, with Dammegard noting the absence of biological remains typical of suicide bombings. He claims that billions spent on Paris surveillance failed to produce footage of the attackers at critical moments. The story of a bomber being turned away for lacking a ticket is dismissed as an improbable narrative.

The conversation addresses the November 13, 2015, attacks in Paris, linking the date to the historical persecution of the Knights Templar. Claims are made that ISIS and Al-Qaeda are manufactured constructs used as "strawman enemies" for an endless war on terror. The guest suggests a Masonic or secret society link to the timing of the event, characterizing the international media narrative as a controlled global deception.