Topic: Mecca

Chaplin describes the physical "Stone Cradle" in Spain, a meteoric object used for healing during the plague. A similar stone exists in Le Puy, France, though the Spanish version contains an unidentified scientific component. She mentions that a prominent American family once photographed a copy of this cradle in Egypt, suggesting that powerful global elites track these meteoric artifacts for their unique properties.

Saturnian imagery, specifically the black cube, is identified in various global landmarks including the UN Meditation Room and the One World Trade Center. The conversation explores how the cube appears in major film franchises like The Avengers and Transformers, suggesting a possible occult influence on mass media. In Greek mythology, Saturn is linked to Kronos and the concept of time, often depicted as a relentless, glacier-like force.

Ancient religious symbols, including the Shiva Lingam and the Black Stone in the Kaaba at Mecca, are identified as alien black goo. Harold Kautz-Vella claims that major religious institutions have been subverted to worship demonic entities. He alleges that European church altars often contain black goo stones designed to emit cold, powerful vibrations rather than love.

The recurring motif of the black cube in modern culture—from the One World Trade Center to blockbuster films like Transformers—is identified as a tribute to the alien AI. Harold Kautz-Vella links these symbols to the Saturnian influence and the ritualistic use of tefillin in Orthodox Judaism. He suggests these icons serve as a constant connection to the off-world consciousness grid.

Greg Carlwood cites Linda Moulton Howe's research into holographic computational substrates found in crashed UFOs, where every small piece contains the data of the whole. Riel Wilmont connects this to "black goo" and the work of Harold Kautz-Vella, suggesting it is an AI delivery system from the Orion constellation. Wilmont further links this to "litholatry" or stone worship, specifically mentioning the Kaaba in Mecca as a potential conduit for this artificial intelligence overlay.

The discussion focuses on the global prevalence of black cube symbolism and its ancient connection to the planet Saturn. Evidence cited includes the hexagon at Saturn's north pole, the Kaaba in Mecca, and the use of tefillin in Judaism. The geometric relationship between a two-dimensional hexagon and a three-dimensional cube is presented as a key to understanding how these symbols represent the god of time, Chronos.

Greg Carlwood cites researcher Joseph Farrell regarding a story about a mysterious object found by Saudis in Mecca that was allegedly moved to Antarctica for rituals by Patriarch Kirill. Swartz speculates that Antarctica, which was once tropical, could be the true location of Atlantis. He suggests the continent serves as a "frozen in stasis" repository for remnants of a high-technology civilization that predates modern humanity.

The number 93 is identified as a significant Thelemic value representing "divine will," which Michael Joseph links to the symbolic sacrifice of Flight 93. The discussion moves to the Black Cube of Saturn, found in Mecca and at the base of the Freedom Tower, as a symbol of the material prison. By adding gold trim or inverting the cube, elites symbolically signal their intent to alchemically overcome the Demiurge and achieve unity with the Monad.

The discussion traces the presence of black goo through various religious traditions, including the black stone in the Kaaba at Mecca and Shiva's lingam in Vedic tradition. Kautz-Vella claims that the walls of the Vatican were built using mortar mixed with the ash of sacrificed humans to imbue the structure with specific energies. He suggests that many religious institutions have "black altar stones" designed to suppress feelings of love.

Clyde Lewis discusses the potential for a global shift to a 13-month calendar, noting that Islamic authorities have pushed for a moon-based calendar centered in Mecca. He explains how the current 12-month system with leap years is used to manipulate natural rhythms. Lewis suggests that a 28-day, 13-month system would be more balanced but could also be used to restructure the work week and increase labor hours.

The connection between Saturn and Satan is explored through linguistics and ancient festivals like Saturnalia. Bush discusses the hexagonal vortex discovered at Saturn's North Pole, linking it to Metatron's Cube and the black cube of the Kaaba in Mecca. He theorizes that Saturn may act as a broadcasting station for the holographic universe, using its rings like record grooves to project reality.

The hosts discuss Project Bluebeam and the potential use of holographic technology to manipulate religious and political populations. Examples include Constantine's vision of the cross and recent reports of a flying horse over Mecca. Mott suggests that subterranean races may have possessed this "magical" technology for centuries, using it to create solid-appearing images that can even be detected by radar.

The conversation focuses on the planet Saturn, its linguistic connection to "Satan," and its prominence in elite symbolism. Robert Phoenix discusses the black cube at Mecca, the hexagonal storm on Saturn's north pole, and the planet's relationship to the concept of "locked-in" energy.