Topic: Osiris

White connects Crowley's "Bornless Rite" to the ancient "Headless Rite" found in the Greek magical papyri, which refers to the dismembered god Osiris. He links this ritual to the Orion constellation and the Giza pyramid complex, noting that Crowley unknowingly performed a rite that aligned with much older star-temple traditions like those at Gobekli Tepe. This "accidental switching on of the spaceship" is presented as evidence of spirit-led guidance.

Ryan Bledsoe describes his transition from a strict Pentecostal upbringing to studying esoteric traditions following vivid dreams of Egyptian deities like Osiris. He connects the entity "Hathor" to the concept of the Divine Feminine found in Gnosticism, Rosicrucianism, and Templar traditions. This "taboo secret" is presented as a central theme that various secret societies have guarded for centuries.

Andrew Gough details the ancient tradition of honeybee veneration, tracing it back over 100 million years. He highlights the bee's significance in Ancient Egypt, where Pharaohs held the title of "Beekeeper" and royal iconography featured bee symbols. The biological phenomenon of parthenogenesis in bees is linked to the "virgin birth" myths of goddesses like Neith, Artemis, and the Virgin Mary.

Ilana Freeland shares a personal revelation that her father was an inorganic chemist who worked for Navy Intelligence on classified projects his entire adult life. She connects her current research into electromagnetic weapons and MK Ultra to this family history, suggesting her drive to uncover these programs is an intuitive response to her father's secret work. She notes that many scientists are now leaving mainstream institutions to join her in investigating these "black" projects.

NASA's launch of three rockets during the solar eclipse for the "APEP" program is identified as a ritualized mission honoring the Egyptian serpent god of chaos. Knowles notes that NASA frequently uses Egyptian and Sumerian archetypes, such as Osiris-Rex and Apollo, due to heavy Masonic influence within the organization. These missions are described as serving a specific occult religion hidden from the public.

The conversation shifts to modern scientific institutions like CERN and NASA, which Hoffman views as tools for reality manipulation. He critiques NASA's "Osiris-Rex" mission for its pagan naming and stated goal of bringing "prima materia" to Earth. Despite the perceived darkness, Hoffman advocates for maintaining hope through the "Christ Spirit" and a commitment to revisionist history, even when it challenges figures like George Washington.

A recurring motif in NDEs involves an interrogation where the deceased must confirm their identity or name to pass into the afterlife. Dr. Shushan links this to the Ancient Egyptian Pyramid Texts, which provided instructions for navigating the perils of the underworld by identifying oneself with deities like Osiris or Ra. This process suggests that maintaining conscious awareness during the death transition is vital for negotiating the spiritual realm.

The conversation links the shamanic motif of dismemberment—common in ayahuasca rituals and myths like Osiris—to the modern alien abduction narrative. Harper suggests that the "medical" probing reported by abductees is a literalized version of a soul-level initiation. This process represents the "dismemberment of the ego," forcing an individual to die to their former preconceptions and awaken to a worldview where the soul takes precedence.

Jason Quitt explains how ancient doorways and windows functioned as sundials, with light only passing through on specific days like the equinox or solstice. In Egyptian temples, this was viewed as the sun "impregnating the womb" of the earth to regenerate life. He also describes "false doors" in Egyptian tombs, which were believed to allow the "Ka" or spirit of the deceased to travel between worlds on designated celestial dates.

The Plus version of the episode features discussions on Edgar Mitchell's interest in consciousness and the Martian nukes hypothesis proposed by John Brandenburg. Other topics include the decoding of the Osiris-Rex mission and the Jack Kirby comic book connection to the Face on Mars. Listeners are encouraged to sign up for the full two-hour show to hear these additional segments.

Chance Gardner addresses the criticism of confirmation bias, arguing that the sheer number of biological correlations in Egyptian art exceeds random chance. He cites the "Waters of Life" hieroglyph as a clear depiction of sperm cells and notes that statues of Osiris and Ishtar perfectly match the articulations of the brainstem. These artistic representations are described as functional manuals that describe the role of specific brain parts in human consciousness.

The discussion explores the idea that demonic spirits are intertwined with the molecular structure of the physical dimension, balanced by divine forces. Jeff Harmon references the occult history of NASA, including the involvement of Jack Parsons and Aleister Crowley. He points to the naming of missions like Apollo and Osiris-Rex as evidence of ongoing space-based rituals.

The discussion focuses on NASA's stated goal to prove extraterrestrial life by 2025, specifically through missions like Osiris-Rex. The hosts suggest that finding bacteria on asteroids will be used to promote the theory of panspermia, effectively redefining human origins through a lens of dogmatic science that cannot be easily fact-checked by the public.

Carlwood previews the second hour of the interview for Plus members, which covers topics like Tesla technology, the 2030 timeline, and strange occurrences in Antarctica. He corrects a previous statement regarding the Osiris-Rex mission and the asteroid Bennu. The episode concludes with holiday wishes and a commitment to continue pushing back against restrictive COVID-19 policies.

The significance of the number 17 is traced back to the death of Osiris on the 17th day of the month. Knowles explains how this number has permeated history, from the establishment of the Grand Lodge of England to modern political movements.

The act of police kneeling to protesters is compared to ancient rituals where men would publicly castrate themselves for the "Great Mother." Knowles suggests that the current social climate mirrors ancient parades where martyred gods were mourned through self-sacrifice.

The architecture of Washington D.C. is analyzed as a collection of occult symbols, specifically the phallic Washington Monument and the womb-like Capitol dome. Presidential inaugurations are described as ancient Egyptian rituals performed on specific numerological dates, such as January 20th. The United States is framed as a continuation of Western occult culture passing from Sumeria and Egypt through London.

NASA's Osiris-Rex mission to the asteroid Bennu is analyzed for its connection to Egyptian mythology and ritual dates. Knowles highlights that Bennu was discovered on September 11, 1999, and links the mission name to Osiris, the Lord of the Dead. The segment also covers the ESA Cheops mission and its search for "super earths" as a symbolic search for super humans.

The Maori people arrived in New Zealand around 1100 AD, carrying a tradition that Scranton argues underwent significant symbolic reversals over thousands of years. These changes include the shift from matriarchal to patriarchal structures and the reversal of material and non-material symbols, such as circles and squares. Evidence of these shifts is found in Maori myths where originally female deities were later recharacterized as male, mirroring transitions seen in Egyptian and Indian mythologies.

The ritual framework of the JFK assassination is compared to the alchemical "death and resurrection of the king" found in Carl Jung’s work, specifically *Mysterium Coniunctionis*. This archetype parallels the Egyptian myth of Osiris, the Masonic legend of Hiram Abiff, and Gnostic interpretations of Jesus Christ. Additional influences cited include Israel Regardie’s Golden Dawn rituals and Aleister Crowley’s symbolism regarding the "Night of Pan" and the "Babylon" glyph.