Topic: Manchester

Carlwood previews the second hour of the show, which covers Ken Shoulders, the Manchester Arena event, and the concept of "spot the spook" in the alternative community. He addresses Andrew Johnson's firm stance against Flat Earth theory, noting that Johnson views it as a distraction. The segment emphasizes the importance of detailed record-keeping in identifying potential gatekeepers.

Dr. Heather Lynn describes her transition from traditional archaeology to investigating the Anunnaki after encountering information bottlenecks during a Sumerian excavation in Iraq. She recounts being ghosted by lead archaeologists from the University of Manchester after asking questions about Stargates and artifacts on behalf of her blog audience. Local Iraqis reportedly contacted her for help as artifacts were being removed from the country under questionable circumstances.

Private archaeological organizations often suppress "gray material" discoveries that do not fit official narratives. Dr. Lynn's investigation into cuneiform research at the University of Manchester revealed funding ties to big oil companies and former Nazi financiers, including the Thyssen family. These elite interests, linked to the Skull and Bones society, suggest a quest to recover ancient knowledge regarding civilization building and social control.

The episode concludes with a list of upcoming listener meetups in locations such as Manchester, Connecticut; Tallahassee, Florida; and Abbotsford, British Columbia. The host encourages listeners to visit the meetup website to RSVP or host their own events. The show ends with a signature sign-off and a custom closing song reflecting the themes of the program.

Green details his unexpected 12-year tenure as the musical director for Davy Jones of The Monkees. Despite an irrational childhood hatred for Jones, a chance rehearsal meeting in a theater led to an immediate bond based on shared Manchester humor. Green reflects on this relationship as a karmic experience that allowed him to witness the realities of fame vicariously without the personal burden of being a superstar.

The "Smiley Face Killings" involve a series of mysterious deaths of young, collegiate males across the US and UK whose bodies are found in water near smiley face graffiti. Researcher William Ramsey has documented these cases, suggesting they are the work of a coordinated group rather than a single serial killer. The ritualistic nature of these events may be connected to the broader occult symbolism found in the music industry.

The discussion focuses on the May 22, 2017, bombing at the Ariana Grande concert in Manchester, which Ole Dammegard predicted two days prior. He asserts the event served as a media distraction for the upcoming Bilderberg meeting. Dammegard characterizes the operation as a "rock group on tour," involving a mobile film set of pyrotechnics, catering, and crisis actors moving between international targets.

Ole Dammegard questions the lack of amateur cell phone footage and CCTV records from the Manchester Arena, despite the venue's high-tech security managed by Showsec. He highlights the high-quality photos produced by photographer Joel Goodman, who was also present at a similar drill a year earlier. Dammegard points to empty parking lots and the behavior of parents filming themselves during the alleged panic as evidence of a simulation.