Topic: Emerald Tablet

Twyman discusses the scientific claim that pink light does not exist in the natural rainbow spectrum but is a construction of the human brain. She connects this to the "green stone" of alchemy and the Emerald Tablet, suggesting that certain colors are used to filter or block specific types of light. She also notes the symbolic use of pink in the gay pride flag as a potential reference to "deviation from the norm" in an occult context.

Host Greg Carlwood introduces returning guest Brian Copenhaver, an author and filmmaker dedicated to alchemy and the hermetic arts. The discussion frames modern culture as a landscape of cheap mass production and screen addiction, suggesting that high art has been degraded by authoritarian systems and AI. Copenhaver’s work, including "On Alchemy: Essential Practices & Making Art as Alchemy" and his "Hermetic and Alchemical Zines" series via Kepri Press, is presented as a guide for an artistic revival.

Alchemy is defined as the "art of arts," providing an overarching theory of creation based on the Emerald Tablet. Copenhaver explains that alchemical processes are universal, applying as much to a painter's canvas or a writer's script as they do to a laboratory furnace. The practice involves transforming "lead into gold" on a soulful level through inner visualizations and the physical rearrangement of elements to create something entirely new.

The Corpus Hermeticum and the Emerald Tablet are highlighted as foundational texts for alchemical inner practices. Cotenoir explains that while alchemical texts often focus on formulas, they frequently allude to spiritual exercises found in Hermetic and Gnostic writings. These practices involve silencing the mind and turning the senses inward, similar to Buddhist meditation, to facilitate the ascent of the soul.

The host previews content from the second hour of the interview available to Plus members, including discussions on the homunculus, mandrake roots, and correlations to modern cloning. Other topics mentioned include the Golem, the Emerald Tablet's cosmology, and the use of alchemists by powerful elites. Carlwood concludes with a call to action for listeners to support the show through membership.

Reeves explores the possibility that ancient sites like Moundville in Alabama were designed as portals for intergalactic travel or incarnation. He notes that these sites mirror concepts found in the Tibetan Book of the Dead and the Emerald Tablets of Thoth regarding the transcendence of the physical body. He mentions the mysterious disappearance of the thousands of people who built Moundville, questioning if they successfully utilized these portals.

The hosts discuss how language and "spelling" function as a form of magic or programming. They reference Marty Leeds and the use of gematria to find hidden codes within different languages. The segment touches on ancient Egyptian concepts where words were designed to resonate with the physical objects they described, contrasting this with modern language used for deception.

Thoth, an ascended master also known as Hermes of Greece, is credited with building the Great Pyramid using fourth-dimensional consciousness. The text explores the nature of ascended masters like Thoth and Saint Germain, who have allegedly achieved immortality and can manifest physical bodies while residing in higher dimensions.

Crow connects Hattie Bow's work on octaves to ancient hermetic principles found in the Kybalion and the Emerald Tablets, specifically the idea that everything vibrates. He criticizes modern particle physics and the search for the Higgs Boson at CERN, calling the "God particle" a sham designed to complicate simple truths. The discussion suggests that CERN's true purpose is not particle smashing but something related to ancient laws of frequency and energy.

The discussion focuses on the Egyptian god Thoth, also known as Duhuti or the Greek Hermes Trismegistus, the deity of writing and architecture. Unlike myths built on real people, Thoth is described as a pure god-construct who provided humanity with actual knowledge like geometry. The segment explores whether this information was a legacy from an antediluvian civilization like Atlantis or Lemuria.

Sullivan details the Masonic lore of Hermes Trismegistus and Pythagoras, who reportedly restored the pillars of knowledge inscribed by Enoch. The Hermetic maxim "as above, so below" influenced the alignment of important buildings to astral configurations. This philosophy was carried forward by figures like Raymond Lully and Giordano Bruno, who viewed architecture as a means to preserve sacred astral wisdom.