Topic: Comic Con

Carlwood addresses the show's recent production delays, explaining that his wife has taken over editing duties temporarily after their previous editor moved on. He announces he is actively searching for a new editor to restore consistency to the release schedule. He also mentions his recent attendance at San Diego Comic-Con, marking his first time attending with a badge after living in the city for a decade.

Greg Carlwood and the guests reminisce about their time on the "Don Peyote" tour bus with actor Dan Fogler. They share anecdotes about a near-death experience in a city bus and Carlwood’s first experience with LSD. The discussion also touches on a failed collaborative project called "Conspiracy HQ," which served as a lesson in the difficulties of professional partnerships in the conspiracy research field.

The host opens the program from San Diego during Comic-Con, reflecting on the contrast between public enthusiasm for superhero films and global crises. He introduces Adam Gorightly's new book, Historia Discordia, which explores the origins of the Discordian Society. The segment highlights the influence of counterculture figures like Robert Anton Wilson, Timothy Leary, and Terence McKenna on the upcoming discussion.

Ron Patton, publisher of Paranoia Magazine, announced the upcoming ParanoiaCon scheduled for August 2nd and 3rd in downtown San Diego. The event will be held at 630 C Street and will coincide with an art show titled "Paranoia, Mind Control and The Art of Illusion" during the week of Comic-Con. The conference features speakers from the alternative research community, including Frater X, Adam Gorightly, and Olav Phillips.

Ron Patton describes the atmosphere of the Kava Lounge in San Diego, noting its psychoactive kava brews and suitability for future events. He reflects on the challenges of competing with Comic Con for attendance and expresses plans to invite speakers like Freeman Fly and Adam Gorightly for the next ParanoiaCon.

The hosts and Gamble discuss the necessity of supporting alternative movements and conferences over consumerist events like Comic-Con. Gamble explains the financial difficulty of maintaining the Thrive Movement after releasing the film for free, noting that donations rarely cover the high costs of production. He encourages listeners to buy DVDs and support independent media as the "lifeblood of transformation."