Topic: 8 Hertz

Wilkerson explains the history of "phone freaking," including the use of the 2600 Hertz Captain Crunch whistle to manipulate telephone trunks. He notes that Apple founders Steve Jobs and Steve Wozniak began their careers selling digital "blue boxes" for illegal long-distance calling. Wilkerson expresses strong disdain for Bill Gates, characterizing him as a eugenicist who destroyed the early hacker ethos by prioritizing patents and centralized control.

The discussion shifts to the use of specific frequencies, ranging from 1 to 100 hertz, to influence plant physiology. David Wetschler describes how adding frequency to DC stimulation resulted in faster growth and changes in pigmentation. He likens this to Rife technology, noting that different cycles per second can produce varied effects on the lushness and speed of garden development.

Rom X links shamanic trance states and occult practices to a specific 40 Hertz signal in the prefrontal cortex. He suggests that historical figures like Joseph Smith may have used scrying stones to enter this hyper-focused state to receive external signals. The segment explores the ethical dilemma of whether to teach the public how to "turn up" or "shut off" these neurological antennas.

Ross Benn introduces his book "5G Wellness 101," designed as a simple guide for laypeople to understand the human body's "specs." He defines humans as magnetically polarized energy systems with a cohesive resonance of approximately 8 Hertz, matching the Schumann resonance. Benn argues that exposure to electrified EMFs cancels out the body's natural magnetic field, necessitating regular grounding and magnetization.

The Hypogeum in Malta is discussed as an ancient structure with precise acoustic properties, specifically a resonance of 111 Hertz. Bosley suggests that secret societies, including the Knights of Malta, knew of the structure long before its official modern discovery. He argues that Napoleon's mentor, Gaspar Monge, likely guided him to explore these sites to understand ancient technical knowledge.

Research into the 111 Hertz frequency suggests it can deactivate the language centers of the brain and the prefrontal cortex, potentially linking a person to a "collective unconscious." Bosley connects this to Joseph Farrell’s work on the "Microcosm and Medium," speculating that ancient structures were designed as frequency-based gateways. This technology is linked to Tesla's theories regarding the fundamental roles of frequency and electricity in the universe.

The 5G rollout is compared to military active denial systems that use millimeter waves for crowd control. The history of Heinrich Hertz is mentioned, noting his early death following extensive exposure to radiofrequency radiation.

Sophia Smallstorm provides a technical overview of the electromagnetic spectrum, explaining the difference between pressure waves and EM waves. She describes how natural lightning creates a mild "free electron flow" on the Earth's surface, topping out at 40 Hz. This natural frequency is contrasted with the biological preference for 7 to 12 Hz, which forms the basis for the practice of "earthing" or grounding.

Susan Clark details how constant exposure to RFR and the "smart grid" suppresses melatonin production, leading to cognitive impairment and fatigue. She critiques the engineering of the modern electrical grid as inefficient and potentially hazardous. An anecdote from the MIT Gravitational Lab suggests that the 60 Hertz standard was chosen in the United States specifically for its lethal efficiency in capital punishment applications.

Future research for "Musical Truth Volume Two" will focus on the electronic dance music (EDM) scene and its potential links to the 1960s "Summer of Love" templates. Other topics include the science of cymatics, the 432Hz versus 440Hz frequency debate, and the presence of satanic imagery in heavy metal. The segment emphasizes that the music industry is just one "spoke in the wheel" of global control.

The dialogue touches on the significance of 432 Hertz as a musical tuning standard, noting its change to 440 Hertz after World War II. Carlson links this number to the radius of the Sun and the origin of the modern mile. He traces the 5,280-foot mile back to ancient British metrology used at Stonehenge, where the radius of the Sarsen circle was exactly 52.8 feet.

Marie D. Jones shares her contact information and upcoming projects, including the book "The Grid" and a screenplay titled "19 Hertz" based on "The Resonance Key." Host Greg Carlwood concludes the interview and encourages listeners to support the show through Conspiratease apparel. The episode ends with a musical track by Bromello & Friends titled "They Keep Pressin' On Me."