Topic: Face On Mars

Christopher Knowles details uncanny instances where Jack Kirby's 1970s artwork appeared to predict future events, including the capture of Saddam Hussein from a bunker and the use of virtual reality goggles. Kirby's stories also featured a conflict involving a "Tiger Army" from Washington D.C. invading a desert land resembling Iraq, paralleling the actions of the Bush family decades later. The segment concludes with Kirby's early depictions of the "Face on Mars" and themes related to Jack Parsons.

The host asks about NASA's modern credibility, citing YouTube channels that analyze SpaceX footage for glitches, such as a purported mouse on a rocket engine. Sibrell clarifies that while he believes NASA fakes footage, he does not subscribe to Flat Earth theories. They discuss the Tesla car launched into space by Elon Musk and the "Face on Mars" as potential marketing gimmicks or leaked deceptions.

Artist Isamu Noguchi designed Hart Plaza in 1974 with a layout that mirrors the Giza Plateau, predating Robert Bauval's Orion correlation theory. Stemke discusses Noguchi's 1947 proposal for a "Face to be Seen from Mars," which bears a striking resemblance to later NASA images of the Cydonia region. The segment explores whether Noguchi received subconscious downloads or intentional esoteric knowledge during his travels in Egypt.

While working on directed energy weapons at Sandia National Labs during the Cold War, Brandenburg became interested in the "Face on Mars" and Cydonia archaeology. He recounts a pivotal moment at a library Xerox machine where a colleague reacted with shock to Martian xenon isotope data, suggesting the planet had been nuked. This encounter led Brandenburg to investigate trace isotopes in the Martian atmosphere that suggest a massive nuclear event.

The guest speculates that NASA may have brought back lunar artifacts for reverse engineering programs. He suggests the ruins on the Moon and Mars point to a forgotten chapter of human history involving advanced civilizations and potential interplanetary wars. Barra argues that mainstream history is "BS" and calls for a re-evaluation of human origins.

Nick Redfern addresses the Face on Mars and the pyramid-like structures in the Cydonia region, comparing them to Egyptian monuments. He highlights a 1958 comic book by Jack Kirby titled "The Face on Mars," which predates NASA's Viking 1 photographs by nearly two decades. This leads to speculation that the government may have known about Martian anomalies early on and used science fiction to subtly test public reaction.