Topic: Mark Leclair

Mark Leclair comes up in 6 chapters across 3 episodes of The Higherside Chats Free Show, from September 2017 to June 2025.

September 2017 June 2025

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Alex Fulton | Cryptokubrology, Movie Magic, & Subliminal Bears
• 2:09 - 7:17

Alex Fulton | Cryptokubrology, Movie Magic, & Subliminal Bears

Technical Analysis of Synchronicity, Time as an Ordering Principle

Alex Fulton explains the methodology of Crypto-Kubrology as a technical analysis of synchronicity, comparing it to technical analysis in the stock market where one focuses on price charts rather than fundamentals. He emphasizes that the timing of an event is as significant as the event itself, suggesting a temporal ordering principle in reality. Fulton reflects on his decade of research with Sean Montgomery, involving over 4,000 emails analyzing numerical patterns in film and real life.

synchronicitytechnical analysistemporal algorithmsean montgomerymark leclairdatastock market
Alex Fulton | Cryptokubrology, Movie Magic, & Subliminal Bears
• 7:18 - 11:35

Alex Fulton | Cryptokubrology, Movie Magic, & Subliminal Bears

Saturnine Archetypes, Gnosticism, Stanley Kubrick as the Mind of Saturn

The discussion explores the theory that Stanley Kubrick represents a Saturnine archetype or the "spear tip" of the entity Saturn in reality. Referencing the work of Mark LeClair and Gnostic positions on Archons, Fulton discusses how Kubrick’s control over time in his filmmaking mirrors the attributes of Saturn, the Lord of Time. The segment also addresses William Snyder’s book and the portrayal of "Eyes Wide Shut" as a Saturnian ritual.

Alex Fulton | Cryptokubrology, Movie Magic, & Subliminal Bears
• 11:37 - 13:00

Alex Fulton | Cryptokubrology, Movie Magic, & Subliminal Bears

Eyes Wide Shut Anagram, Ritual of the Hexagram

Mark LeClair’s analysis of "Eyes Wide Shut" (EWS) suggests the title is an anagram missing the letter "N" for North, which corresponds to Saturn's position in the ceremonial ritual of the hexagram. The theory posits that the film's protagonist, played by Tom Cruise, lacks a "true north" while navigating Manhattan. This missing element is framed as a deliberate occult detail embedded by Kubrick to attune the work to specific solar system frequencies.

Alex Fulton | Cryptokubrology, Movie Magic, & Subliminal Bears
• 13:01 - 15:37

Alex Fulton | Cryptokubrology, Movie Magic, & Subliminal Bears

Dark Side of the Moon, 2001 A Space Odyssey Sync

Alex Fulton describes the "sync" between Pink Floyd’s "Dark Side of the Moon" and Kubrick’s "2001: A Space Odyssey," calling it a superior experience to the "Wizard of Oz" sync. He provides specific instructions for starting the album at the final note of the film's intro music to reveal deep symbolic alignments. This practice is part of a larger matrix developed by Mark LeClair involving multiple Kubrick films and Pink Floyd albums.

Dr. Dana Cohen | Quench, Structured Water, & Optimum Hydration
• 59:37 - 1:03:01

Dr. Dana Cohen | Quench, Structured Water, & Optimum Hydration

Water Conferences, Cavitation, and Indigenous Respect

Carlwood discusses his growing obsession with water science, mentioning researchers like Mark LeClair and concepts such as cavitation and nano-bubbles. He contrasts the deep survival knowledge of indigenous cultures with the fragility of modern society, referencing the show Naked and Afraid. The segment emphasizes that internal hydration is more effective for anti-aging and skin health than expensive topical creams.

mark leclaircavitationnano-bubblesindigenous culturenaked and afraid
Shamangineer | Water Alchemy, Fringe Science, & Viktor Schauberger
• 22:39 - 26:50

Shamangineer | Water Alchemy, Fringe Science, & Viktor Schauberger

Mark LeClair, Cavitation and the NanoSpire Transmutation

Mark LeClair of NanoSpire Incorporated has researched cavitation bubbles that collapse to form high-velocity "nanospires" of rigid, crystalline water. These spires, which can travel at half the speed of light, are capable of drilling into substrates and transmuting elements. This process suggests the potential for a universal 3D printer that can create any material by manipulating matter at the atomic level through water-based cavitation.