Alex Fulton | Cryptokubrology, Movie Magic, & Subliminal Bears

00:09 The planet's puppet masters almost surely have a plan There's clearly maybe something there beyond the realm of shit Every last close-chested beard Where would we be in New Oz? Just don't know, here's my chat show

00:52 Serenity now, Hiresight Shatters! From the Sunshine State I'm Greg Carlwood. And over the years we've spent a lot of time going over the wide range of patterns and weird uncanny coincidence between highly charged oftentimes conspiratorial real-world events works of fiction occult symbolism and pop culture iconography often referred to as synchromysticism. A lot of cultural scrying, or a reverse engineering of rituals encoded into reality often through 8mm magic by the wielders of the Hollywood wand and few figures in film industry are as symbolically potent and layered as Stanley Kubrick

01:31 Like the gateway drug or Rosetta Stone for synchromysticism, Kubrick demonstrates a deep degree to which themes symbols and ideas can be layered throughout a work. And his resonance with those who are symbolically and conspiratorially oriented has been well established in his almost never-ending Well, a subset of the synchromystics like today's guest Alex Fulton seems to have taken the focus on Kubrick to a new level with what he calls Crypto-Kubrology. A term coined by Sean Montgomery, the recently departed research partner of Alex's who defined it as The Science Behind Coincidence or The Study Of Haunted Media

02:09 in pursuit of a technical analysis of synchronicity. The sense that our reality is arranged according to some as yet undefined, a causal ordering principle." You can find Alex on Twitter as Crypto K and find his sub stack articles and podcasts at cryptocouprology.com I love a synchronistic show so let's go the Kubrick decoder movie magic demystifier and cinema detail detective Alex welcome to THC Thank you, Greg. It's a pleasure to be here. That was great. So surreal to hear that but it's awesome thank you! Well yeah it is funny that we actually met in person a long time ago over a decade ago You reminded me of this when I guess I should say this came about in a weird way...I reached out to you because of a Rife documentary that was actually made by your research partner Sean who passed away just a few weeks ago

03:06 And then you reminded me that we met in 2014 when I had a table at the Secret Space Program conference selling t-shirts and CDs with THC episode themes on them. And, I did see Tom DeLonge there by the way way before he was publicly interested in doing to the stars Academy stuff but... You told me about the Crypto Kubrology research and here we are so So this will be fun. It's always nice when someone is familiar with the show before coming on, but to dive into this thing what is it about Kubrick and his work that has such a gravity to it for those interested in synchromysticism? I'm reminded of what...I've got two departed friends that are kind of important here one is Sean and one another guy named Mark LeClair who used to blog as The Wrong Way Wizard. I don't know if you ever read that blog but

04:00 So I've kind of got those two guys on my shoulders here, kind of walking me through this. But one of the things Mark would like to say is like why do we climb a mountain? Because it's there and...I mean he's not the one that said that but lots of people have said that but in terms of Kubrick he said that in the sense of like this is just the pinnacle of the art really these films, this guy And once you start looking closely at him and that the movies, you can't really stop yourself because there's so... There is so much there. They're just so deep and it's really unlike any other filmmaker but then it's sort of the point where with Cryptocubology where you start looking to these films deeply that it starts a spill out into other films and you start to realize that this Kubrick, all these sinks that you see in Kubrick are also in every other movie

04:53 But he seems to be kind of consciously employing the language in a way that other filmmakers seem to be doing unconsciously. So, that's one reason. The other reason for us really kind of centers around the whole numerology aspect of it and the dateline temporal thing is very Like, I like that. I'm glad that you quoted me in there saying calling it a technical analysis of synchronicity because that's what it is and like if you don't know what I mean by that in terms of like it's actually in terms of like stock market language there's fundamental analysis versus technical analysis where fundamental analysis you look at like

05:35 Statistics and numbers in a company, their cash flows and whatnot. Whereas technical analysis you just look at the price of the chart basically you don't even need anything else that's what that is. The technical analysis synchronicity is sort of like... You just want the data? Yeah exactly! The data you look at it and its based on time thats the other big factor that a lot of synchronisticism has kind ignored is the factor of time. When something happens, it's just as important as what happened and you've got to look at the both of them to really understand and Sean was sort of led through Kubrick movies to this set up these numbers this numerical pattern that he kept observing in the films and then in real life

06:28 That was sort of like where I came into the picture and started meeting him or talking to him online We went back and forth with emails for decade. We've got 4,000 emails of something just just pouring over all this data and Figuring this stuff out And yeah here am and he passed away a few weeks ago um, I don't want to talk about it too much because honestly It's really sad and personal but he got sick and But so I'm sort of left here carrying the torch and yeah, we could go deeper into that. The dateline is over wherever you want to go on. Well OK, so Kubrick is a lens in which we can look at this certain phenomenon. You could say he's a microcosm of a bigger thing out there and ordering principle in reality

07:18 I'm curious what you think that is. So if Kubrick is just a nice entry point that gets people who have this kind of mind to see examples of it, well what are they? If we scaled it up to an ordering principle of reality itself—you know I've interviewed Jake Coetzee and Chris Knowles Steven Snyder who wrote a book about Kubrick and Jason Horsley all of which somewhat have to talk on synchromysticism to one degree or another there's also Michael Hoffman, I'm like Pokemon. I'm trying to collect them all over Matthew J Bell. I'm happy in this to be in storied company here Yes, yes Well, what do you think these people who have this mind? What are they really picking up on they all different conclusions What are yours well, I think the

08:09 The sort of, I'm not going to borderline crazy conclusion of crypto Kuberology. I think is that really this whole reality is ordered around you could call it a Kubrickian principle but I think Mark Leclerc really hammered home he was kind of out he was like a he had a kind of schizo Break at one point and involving two thousand one yes my understanding is that he was. Up in the north secluded and he didn't have a copy of the wizard of Oz at the time so he took,

08:46 Pink Floyd's Dark Side of the Moon and synced it up to 2001 A Space Odyssey to see what would happen. And he thought it synched so well with so much meaning, he was overwhelmed and had what is basically described as a Philip K Dickian type of breakthrough experience. He was institutionalized and took a long time to work through it Yeah, and that's the story as I know it. You've done your research so i'm really happy about that. I don't have to tell the story you done it um and So but the point that the end point of all that was basically that Kubrick or that mark believed that Kubrick was Saturn Was Satan? Was like the spear tip of the of the entity Saturn in our reality He he quoted he I quote him a lot when he said the mind of Kubrick is the mind of Saturn And so

09:39 You can kind of see that in all of his movies. I mean, it just kind of bears itself out and and in the sense of larger than Kubrick that that's just as astrological this is like a classical Gnostic position of that like the so-called archons are the seven classical planets, outermost planet being Saturn. The Lord of Time, the outer most exterior point of our perception outside of Saturn is extra temporal and Kubrick like okay, you mentioned William Snyder and he I want to talk about him to his book because I just read it And I'm actually the villain in that book. I just kind of realized I know I feel bad about this Okay, it's kind of funny. It gives me a good opportunity set the record straight but crypto kuber ology He at least gives me props for saying that eyes wide shut is well he says You know as much as portraying a Saturn 9 ritual

10:39 Lots of people talk about the Saturn 9, Black Cube cult and so forth. Mark's take was that Stanley Kubrick was like the tippy top point of that cult and actually a really bad guy! So I don't really necessarily agree with that but after i kind of was exposed to him I came along with Sean and he started peppering me with all this info about time and the synchronicities regarding time And once I started getting into that, and then looking at interviews with someone like Jan Harlan who is Kubrick's stepbrother executive producer. And there's this funny line where they ask him how did Stanley manage to make these movies have all this freedom? His response was basically Stanley had the freedom to use time

11:37 And like that line stuck in me. I was like, hmmm... That seems like something Saturn would do." And i just want to jump in here to say that because if we stay focused on Mark LeClair for a minute—I have it my notes here from his work—he did this deep dive on Eyes Wide Shut and he said eyes wide shut EWS The missing letter from that is N for North. We have East, West, South and we're missing N for North. Well Saturn is in the position north for the ceremonial ritual of the hexagram an act of magic designed to attune the Magus to the frequency of the solar system." And he it seems from this article was saying that the ritual at the end of the movie is basically that ritual

12:21 And I just thought that was interesting. Because he goes on to talk about how the main character Tom Cruise is kind of navigating Manhattan and doesn't have a true north, his north is missing in the film North is missing from the EWS anagram really interesting Analysis and details there's parts where I believe he might go into the actual frames, which is a pretty wild layer But it's something Stanley Kubrick would have known about and done because he did a lot of his editing from my understanding but what about Marks work? What would you say stuck out as just really impactful or his biggest finds that resonated with you well Yeah

13:01 Probably the longest, the best thing is that sink that we talked about you mentioned before. The sink... well it's not just that but it started as Dark Side of the Moon with 2001 which to me is like the greatest sink film experience there is. It's way more interesting than The Wizard Of Oz I highly recommend people go and do this. And do it yourself, like you can go online and there's a fellow on Twitter at Cyanide Pills who is awesome and he has been uploading full things but i do think there's an important bit of setting up yourself The instruction basically was start the album if you remember the intro 2001 you have the long four minutes of the solar system in the credits and you have the suspect their sister music

13:50 on the very final note hit the play button on dark side of the moon make sure it's looping and just watch it. And, It's amazing I mean it really feels like Pink Floyd was like the very first image in 2001 is the Dark Side Of The Moon which is funny you just start it and there it is the Dark Side Of The Moon and the camera rises up and it just goes on from there so but then he also kind matrix between three Kubrick films and three Pink Floyd albums. He had 2001, The Shining in Eyes Wide Shut and then he had Dark Side of the Moon Metal and The Wall so you kind of mix-and-match all these albums and it's really just a mind blowing experience but the jewel of the bunch is 2001 Dark Side of the Moon and if you really like that one you can experiment with other ones

14:51 I highly recommend that and other than that, you know once he Mark kind of he pulled his blog down. Once he kind of had a, he got some bad feedback and he just, he wasn't the most stable guy so he just kind of left the internet scene so you can really find this blog stuff anymore but I, the essay you quoted from which is on my blog which I reposted is the deep essay of Eyes Wide Shut. And that whole analysis actually is one of the things that... The first thing I read that woke me up to synchronicism in general so it's a really good entry point for just really shifting your perception It really did shift my perception in a way To the point where I had to reach out and be like I gotta talk with this guy. So yeah

15:39 You mentioned that Kubrick thing about like he had control over time. Yes, it did seem like he had a way of leisurely going through his films regardless of how much time and money it took in the studios kind of let him do it and then he obviously got employed again and again and again It's a privileged position And when you have all this symbolism layered throughout the films, you gotta think well how does he know that in a pre-internet world? This seems like kind of privileged information. So you start to wonder like what is it about this guy's background? Is he put in a position to do this sort of stuff? He maybe has a Saturn archetype and something I learned from you is that

16:22 He married into the Harlan family and the patriarch of that family was the chief Nazi filmmaker under Goebbels. And that's odd because Stanley Kubrick was Jewish to my understanding, and when you get really into those weeds there is a lot of German Jews in positions of power here like well where's the division here really? But it seems like an odd family to marry into if you're Kubrick. What do you think's going on there? Do you think that might have something to do with the privileged position that he ended up in as a filmmaker?" Very good question, yeah I mean...I think that is a really key point of his biography that a lot of people have missed or don't know about

17:09 probably intentionally. It is a really, it's a paradoxical situation but if you read the biographies and Nathan Abrams' book about Kubrick and Snyder's book he mentions it that like Kubrick was somewhat of a self-hating Jew? It seems maybe... He has been quoted as saying that Hitler was right about almost everything and like just that sort of gossip, that sort of thing is around What was really going on there I mean yeah like Harlan, you're talking about is the was the father. What is the uncle of Christiane Harlan who is Kubrick's wife have 42 years and.

17:52 he directed, he's responsible for the movie Judasus which was like the most notorious Nazi anti-Semitic film. It's been banned and there's actually a documentary about him where the Harlins are interviewed so you can learn all about this and hear the story of Kubrick going to meet their relatives and having to take a big swig of bourbon or whatever and okay going into The Nest but I think it's really...the connection that I mean there's a lot of connections to draw but one of them is we know about the influence of all the paperclip Nazis in NASA and We know you know, the Apollo thing if indeed it was faked which i think it was You know It was a cinematic operation. It involved that sort of business and Nasa's full of these people hey, we just

18:51 I mean, I just see there's a connection there. Yeah you're one degree away! He marries the daughter of chief propagandist in the Nazi apparatus and then they all come over here in Project Paperclip we all know they are deeply embedded in rocketry in particular and Stanley Kubrick is the one that people like...I think he might have had something to do with pulling off that fake moon landing on the soundstage thing It's right there, you know? And then he has the lenses. He takes to Barry Lyndon I don't think it's a big stretch at all! I mean he is married into the family in a position of power If you need someone who can trust that's who you tap Yeah and i mean... yeah..I mean he can trust- There are questions like where were his allegiances really double triple quadruple agent this sort of deal

19:45 I really did appreciate Snyder's book for connecting him to the Kennedys more than most people have because that makes a lot of sense. That is one aspect of Kubrick, one of the otherworldly aspects of Kubrick is his lifespan which we get into technical weeds a little bit One of the things that we do here in CryptoKey is find midpoints. I like to think of it as kind of an atom smasher for synchronicity or a hadron collider of synchronicity where you take two points in time, and you find the midpoint. That's a sink that you can pin to the board and examine

20:33 Right. You've called this the three-parent thesis is my understanding, and you consider this part of mapmaking when it comes to time and the numerological principles that drive it? But yeah I definitely wanted to get into some examples of this we're a quarter of the way through this thing We know people love examples but yes tell us about using your methodology and applying it to Kubrick's actual life in his place on the timeline The parent thesis just that's what we call that configuration time Two parents and then child in the midpoint. Pun on the parenthesis, obviously. So Kubrick if you make a parent thesis out of his life his midpoint is November 15th 1963 which is exactly one week before JFK's killed why is it one week?

21:23 We can talk about that, but the fact that it's very close is significant. I mean that's just a sink you know? That's just a sink and it actually happens to be my birthday too! I'm born November 16th so when I first saw that I was like oh that's kind of interesting connecting me to it... So Kubrick's lifespan midpoint is basically one week before JFK's last week of his life and then actually if you find Arthur C Clarke's midpoint Funnily enough, it's 42 weeks before JFK assassination instead of one week. Instead of one week Arthur C Clarke midpoint is 42 weeks before the JFK assassination So that's another sink and then it goes on and on And just to jump in here and tell people why that's a sink you say that when it comes to the methodology Of your work? You're mainly focused on a few numbers 1942 153

22:17 237, 666 and 1776. So these are the numbers that come up over and over again if people look at your threads you're constantly going to be finding things that pop up on the 19th anniversary of a thing I mean obviously the 9-11 work would go into that space but 42 people know it's The Douglas Adams Hitchhiker's Guide To The Galaxy Answer To The Universe And Everything probably a layered reason why that's in there but This is one of those numbers that comes up time and time again. So, that Clark's birthday or Clarks midpoint would be 42 weeks before it's significant because that's that 42. They've gone through different permutations of like labels how I think of them

23:01 Originally, Sean called it a temporal algorithm. He felt that it was... his sense was that somewhere in here there is the operating principle of like the central algorithm that runs our reality and into time and that's going to determine when people are born when they die when they get married, that whole thing. And it's not that dissimilar from astrology really but it's just got a different sort of set of principles and yeah so lately over the last couple years after I started getting into reading the Nag Hammadi Gnostic texts I discovered... well I came up with a new metaphor for the numbers which I call them The Five Seals Of Crypto-K

23:50 which kind of gives it a more mystical leaning. But because that's really what they are. They are seals, they're kind of mystical objects and I know when you think of a seal those are like a lock on a book or something that conceals it that you open and that's really what it feels like. And then the 19 kinda came in later and its almost as if on opposite pole we call it like a ruler The five seals and their ruler which is another word for Archon Um, 19. So the five numbers are the lock and 19 is the key because once we found 19 and started applying it to these numbers all this shit started like falling out incredibly And uh...and then-and then COVID-19 happened so it was like

24:40 The whole year of 2019, Sean and I were going back and forth just developing 19. We were like what's with 19? The 19-year Matonic cycle of the Moon...I don't know if you're familiar with that but that's where the moon earth and the sun all return to the same spot every 19 years. You get a an eclipse cycle every 19 years it's core principle to Hebraic calendar That was in twenty nineteen and then like the year after covert nineteen happens in like shuts the whole world down like with the whole world is overrun by nineteen and what is nineteen alpha numerically but a. So there's this feeling that nineteen represents a it's very interesting a lot of people think,

25:30 9-11 was this massive departure in the timeline that this ritual sent us off into this weird Patriot Act surveillance state kind of reality and then obviously COVID 19 is a level jump into further putting us off path into this weird technocratic space and they both contain one nine it is interesting so I wanted to go through a couple examples that are that I have here from my notes. So Kubrick's birthday is 7, 2628 same day Joe Jackson was born you say both demiurgic figures but if you go 42 weeks before his birth that's the premiere of the jazz singer The first sync sound film most people who are into film know about that 42 weeks after is the first Academy Awards and those are

26:20 Very significant points probably in the top five of film history and they are exactly 42 weeks before and after Kubrick's death one of these mystical directors So then you also to loop in the 237, which people know is the number of the room in the hotel and The Shining that is such a key room. And there's actually a whole documentary Room 237 about the various theories so 237 is significant it's not just a number you pulled out of nowhere But 237 weeks after Kubrick was born, FDR is declared president. 237 weeks after his 19th birthday Queen Elizabeth was pronounced queen the day of his 19th birthday is also the day the CIA was created and the FBI was created 20 years prior on that same day

27:19 So, it is weird. Then you go on 237 days after Kubrick died, being John Malkovich comes out that's the release date for that film all about puppetry and possession and manipulating people And then 237 days before Kubrick died was the release of something about Mary And you say there's actually a lot of overlap between those two films. Cameron Diaz is in both of them and there's at least one other actor who is in both films, but run us through that a little bit so those are some examples So we have this anchoring of Being John Malkovich on one end and Something About Mary, two totally different films of different genres. You wouldn't expect any connection at all. Tell us how they are connected? Yeah, they were released on a 237 week spread from Kubrick's death and Being John Malkovich and Something About Mary both have Cameron Diaz in them

28:16 And her roles are almost like completely opposite in those films. Like, and there's something about Mary she's Mary she's the gorgeous blonde that everybody wants In being John Malkovich She is very intentionally like dumpy She is portrayed as just kind of insane and dry ugly hair Just as crazy so that's just her There's a couple other actors that are in the same, in the movie too. One of them is W Earl Brown who was very kind of obscure guy but if you've ever seen this show Deadwood he is Dan Doherty on dead wood and which is funny because it's sort of Dorothy reference but so W Earl Brown how do I put this? And there's something about Mary W Earl Brown plays Mary's

29:13 I'm going to say the word because this is what, importantly the word they use. Retarded brother he's named Warren and he's like... He's just disabled! And that's the whole point of the movie is that she works with disabled people and uh The first time he comes on the screen in the very first scene he's wearing a shirt and it's got a Rubik's Cube on it A Rubik's cube is Kubrick's you know? Kubrick's cube You know? Cubrick That's another key symbolism there So But then if you go into being John Malkovich, W. O. Brown shows up and he is like the first guy that goes inside of Malkovich commercially. Like he's the first guy that pays to be in... Go inside Malkovich and he's like I can be whoever i want to be! And so there's that parallel. There's another actor named Willie Garson who probably people know from maybe Sex In The City where he played a character called Stanford Blatch but

30:15 He's in there something about Mary as one of the one of his friends who was in love with Mary or whatever? Actually has the same in there. He has the same haircut as Cameron Diaz has in being John Malkovich funny enough But anyway, then he shows up and will end being John Malkovich and he talks he's the guy that interrupts Malkovic at dinner And it comes up to do him and he says hey I really loved that movie where you played that retard I really loved I just think what you're doing for retarded people is really great. And like, apparently the direction was you got to say that word as many times as possible in this interaction so there's something about Mary and Willie Garson This is a movie which is depicting retarded people In a way that you can argue it's positive or not but...and then here being John Malkovich we're directly referencing this Why is he talking about Malkovich? Malkovich has never played

31:17 a person like that? What is he talking about?" And so I get the sense that there's this punning on the idea that Malkovich is all these other people in a way or way, which is the whole point of puppetry. The human puppetry and ultimately one of the thesis of Crypto K., which is sort of like that a lot of these people... A lot of people in positions of power and these crucial people in history are being puppeteered by some kind of otherworldly force Yes, and the mirroring is pretty obvious in those two films again 237 days before and after Kubrick died and then these other connections with actors but with W Earl Brown isn't there a Rubik's Cube element or connection in both films? Or is it just the one

32:12 Um, that's... Because I thought there was something about him using a Rubik's Cube. There is yeah yeah there's a whole yes he has a Rubik's Cube that he's playing with um i even have And then he has a necklace or shirt in the other movie. Well, it's actually both in there something about Mary. He appears wearing the shirt and then he winds up playing the Rubik's cube but another thing that I do alot is syncing films obviously so like...I have this really elaborate sync with being John Malkovich There's something about Mary and The Shining When you watch all these things together It sort of reveals this hidden layers

32:53 to all the movies really. There's something about Mary becomes this weird horror movie and you start to see the connections between that and The Shining like for instance there was a scene in There's Something About Mary where Matt Dillon's character is he's like spying on Mary, she's getting undressed and he's like getting all excited and he puts his binoculars down or whatever then he looks back up at the wrong window and it's the old lady prunes or whatever and it's gross but that's what Jack sees in The Shining right he sees the beautiful young woman and then she transforms into the old hag so it's like the exact same principle. And if you look at who directed now who directed There's Something About Mary, The Farrelly Brothers... If you go into all of their movies they're a whole full of Stanley Kubrick references and it's in a weird way that like Dumb & Dumber

33:48 For instance, we could talk about. I mean so I won't go into all the details there but most people are familiar with dumb and dumber so give us like one or two from that film oh well um way more popular than stuck on you true Oh yeah i need to watch that one okay so dumb and dumber the character Jim Carrey plays is Lloyd Christmas And if you remember The Shining Lloyd Is The Ghostly Bartender and I mean Christmas is just is Kubrick because it's, you know, Eyes Wide Shut is set in Christmas. Christmas is a polar phenomena. It's like the winter solstice, the Lord...it's a Saturnine thing so there was this great scene where he he's in the bar at the ski joint in Aspen and he's-It's actually a moon landing joke He leaves the bar, he realizes-He sees the old newspaper on the wall that says man lands on the moon

34:43 And he's like, no way! We landed on the moon. Which kind of marks him like Lloyd in The Shining it marks him as a man out of time right? So JFK made in the early 60s made two really pivotal speeches announcing the intent to go to the moon okay so his first speech was May 25th 1961 that's when he said I believe that this nation should commit itself to achieving before this decade is out the goal of landing a man on the moon blah blah blah That was May 25th. And then he makes another speech on September 12, 1962 that's the one where he says we choose to go to the moon and do other things not because they are easy but because they are hard these two very famous speeches Jim Carrey was born exact okay I don't even know how to put this but Jim Carrey was born in the midpoint between those 2 speeches and it is 237 days either way

35:42 Wow. And he was in the fucking movie man on the moon, the biopic of Kufman that's the, that's the chair, the real focus of things so wow man and I loved the Jim Carrey analysis. He's an example I use all the time of the strategic casting of trying to fulfill an archetype cause he's basically the green man. The green man is this wild symbol, pan-like entity and he's the mask. He is the Grinch there is a third movie I think where he's green as well but also Ace Ventura is just a wild man you know that man of nature unbridled nature and it seems like archetypal casting I wish to remember the third green example but man 237

36:31 days, the midpoint between those two speeches. Yeah and that's Jim Carrey so that kind of literally makes him a moon child which I consider so and then he is also The Truman Show because...and so that's a big one for me obvious Gnostic tale reasons. So, and let me just throw this in because we're going all over my notes here but with the shining going back to the Rubik's Cube thing 42 weeks after The Shining which does contain a cube-a disappearing cube in the movie is The first speed cubing tournament in the world so wild just well This is that kind of thing where people are either into it or they're not but if they're

37:16 If they're into it, I'm just curious like what are we saying? Like all reality is ordered to some weird degree with these number patterns. And you said it was like astrology earlier and I love that because astrology is a system of seeing... It's a pattern system and it applies to people's personality and life paths and there could be other ingredients in the soup of which a person is, and astrology is one aspect. But maybe there are others we haven't identified that are just as potent and mystical? And this could be a numerological time aspect." Yeah yeah I... it's well said um astrology kind of depends on the movement of the planets whereas this stuff depends on the movement of our calendar and like just the way-the way we move we measure time

38:10 And so we have to like really scrutinize that aspect and be like, well why do we have this calendar? Why is it behaving this way. One of the nice things arguably about CryptoK is that we try not to be like this is what it means! Like this is the answer... It's just more about a process of discovery Of like the mystery but there are definitely hints and if you read the tea leaves Yeah, this whole calendar was set up for like this for some weird reason. And it's like maybe key very actually maybe instrumental to human history. Like it might be a really big deal. Well we've talked about that with other guests because we've gone through many calendars and the church and certain authorities had had a real

39:01 emphasis on the calendar and some preoccupation with changing it and getting it to sync to certain things. And it was in sync, then they made it out of sync, now we have a leap year and all this kind of other stuff to try to make it work with what we see in the sky? So there definitely has been major efforts to control or alter the perception of the timeline Thank God I record in a studio now with a man in the booth because he reminded me that the other Jim Carrey green Man representation is the Riddler. Of course Batman forever! I couldn't believe I forgot that That ties into The Shining too, that's a really good parent thesis I could talk about Well hit me with that and then I want to talk subliminal bears before we run out of time in the first hour Because I want to put subliminal bears in the title Okay great

39:47 We're going to talk about Subliminal Bears for three minutes. Okay, so The Shining Batman this is just really classic Jack Nicholson is in The Shining he plays Jack. Jack Nicholson is in Batman He plays Jack. Jack Napier aka the Joker How much time between The Shining and Batman? 474 weeks which is 237 times 2 237 times two weeks between them. The midpoint is the release date of 2010, a space odyssey 2 sequel to 2001 not directed by Kubrick but directed by a guy with the same birthday as Kubrick July 26 Peter Huygens who's also the guy who directed Capricorn 1 which is about a faked moon landing or fake mission to Mars rather and much other science fiction stuff like Time Cop and

40:50 So yeah, 237 times two weeks between The Shining and Batman with Jack Torrance. And then okay in The Shining what does Jack say? Give me the bat! Give me the bat Wendy! He's climbing up the stairs trying to get the bat he gets bonked on the head with a bat and he falls What happens in Batman? He goes up to...He's trying to get the bat. He gets bonked by the bat. He falls so it's like this Constant like just these things keep repeating and it's it becomes a question of who? Who's doing is this intentional or is this like something more cold well people have always said Hollywood is named that because the Hollywood was the most used magic wand and It's weird. But yeah if occultists and people who saw value in

41:43 Mass production of film for occult means we have been there since the very beginning since the naming of the place Then it's probably pretty sophisticated. So I understand that and the casting in particular seems very intentional but the detail, the Nitty-gritty intricacies it's like wow how do you really plan that? But let's do subliminal bears because This is not only just very strange and somewhat silly because I don't know what it means in the end, but it's also something we can use the visual references for. They're almost required and anyone can get that because this will be in the free hour on YouTube But you say Sean was the inventor or discoverer of the Kubrick algorithm And The Subliminal Bears! And I went down this rabbit hole

42:31 Let's get into it. So you write, the subliminal bears theory proposed that Stanley Kubrick secretly arranged the scenes of The Cheyenne as to paint for the viewer in every frame a pack of ravenous bears. Bears that would register only on a subliminal level. You never think about the bears but they are always there lurking in the margins like the 3D image and the magic eye book only revealing itself after the eye has relaxed and forgotten what it is seen as anything more than light color and shape The idea might at first seem outwardly insane, but the more one looks into it the more it sticks out. You then include the frames in which Danny is sitting there on the bed with the bear behind him and the red on his collar is exactly where he gets choked later in the film but he's looking at the bear

43:22 In the 42nd frame of film and it just gets really weirder. Obviously one of the most iconic images in Strange Bizarre Things in The Shining is a man in a bear suit sucking off a party guest, There's also something about a reappearing, disappearing bear rug. I don't quite remember that. I remember the Shining made for TV remake and I believe they animated that thing to come to life in that version of The Shining but let me turn it over to you so you can explain the complexity of bear symbolism in The Shining. Okay well real quickly because I just was realizing that and it relates... That King version of The Shining was filmed in the Stanley Hotel?

44:06 by the way, that's seen in the moon landing with all the moon landings. That's in The Stanley Hotel so that's something I forgot that really kind of ties it all together. So okay, subliminal bears yeah God! I don't know even start with this... It was just something that Sean started noticing in Kubrick's films and then he kinda started seeing everywhere else and it's almost like a shame because he put this stuff out there and people reacted so badly to it that it kinda was like oh the bear guy let's just that's the guy who thinks everything is a bear. so it kind of like worked against him in that way but if you really, if you watch The Shining there are bears all over it subliminal or no there's overt bear symbolism like I mentioned the very first scene well not the very first scene but Danny is being interviewed by the doctor he's laying on a big bear pillow just looming right behind him he...it's like holding him and

45:04 You notice that its eyes, the way its eyes are shaped are exactly the same shape as the floor indicator above the elevator which is where all of the blood spills out. Right that's what I think is most crazy because the bears eye should just be a button you know most teddy bears it's just going to be a button but this is specifically strange and looks like the classic elevator needle that moves up the various levels of the building and he even says that those Shots in the movie are 42 seconds apart 42 frames into shot 62 is the first view of the bear pillow I and The beginning of shot 60 is the last view of the floor indicator And there is exactly 42 seconds in the film between those two things That speaks to significance to me

45:56 But then he goes on to show in certain frames where the blood is spilling out of the elevator, the blood you know. You could say it's the mouth if those two symbols are the eyes that it is the bear with certain lighting and looks like the bear and The one that really gets me is probably the poster. So this is another thing we'll throw up on the screen, but if you've ever seen the poster for the movie The Shining it looks odd! This is the yellow poster with the red graph or the yellow poster with the black graphics and text I always thought it looked more like Chucky from Child's Play. It's a weird face in the tea of The Shining, doesn't seem connected to the film at all He found a subliminal bear in there and I have the image where you can see how it looks like Tigger almost but let's say its a bear

46:49 It's definitely a weird thing to see and then it gets even crazier. So in the scene when Wendy discovers that Danny has apparently been strangled, which harkens back to that first scene because the red collar is exactly in that scene with the bear You say, in the same room where the long dead bear lies as a luxury item. The camera continues to adjust its position ever so slightly as Wendy approaches Danny until at the final moment of her discovery, the camera settles and there revealed by a play of light between the second floor banisters, a word appears while Jack looks on and Wendy examines the bruises which have appeared on Danny's neck and shoulder in the location of the red streak from the teddy bear shot before

47:34 Danny sucks his thumb in shock and a word appears to lurk above them. And that word is bear and I have it, I have it right here. I don't know why there's these bears. It's right on the edge of like, is it there? Is it not like, and maybe even if you look at the really high definition, like uh, it might be harder to see. It might've been more like, you know, on old tv fuzzy like vhs it appears more clear that kind of blends and it looks more like the word but it's all about like this creating this kind of illusion um like I call it a magic eye where you know Kubrick was making these movies but the visible narrative

48:20 is like the tip of the iceberg of what's really going on in movies, which is all beneath the surface. And it's all in the subtext and that's all in the timing and that's like you're pointing out Sean's breakdown... There was nobody on this planet that was more deeply in tune with the architecture of The Shining than Sean and how it was edited together to express this numeric these numeric properties. It's a big loss to have them. And then, you know this is just so wild but just to kind of wrap a bow around this

48:59 You take it to a level that really could take a whole two hours, but it gets into Bruno the bear and Bruce Willis in Die Hard where... In Die Hard the plot is to steal bearer bonds. And Bruce Willis is carrying around a teddy bear with a ribbon around its neck right where Danny was choked, a red ribbon and Die Hard came out on the 19th anniversary of The Moon Landing and has the subliminal 9-11 poster. And with both of those we're back at Kubrick. And he's barefoot the whole movie He's barefoot jesus christ it never ever. Yeah that is a kind of concludes with pointing out how that die hard predicts nine eleven and can i help that's a lot of the thing about crypto k is like it seems like everything for next night eleven in away and a lot of movies, but a lot of movies do you really intensely and i heard one of them entire three is another one and bear symbolism is huge and diehard and it does seem like

49:56 if you read the symbolism in Die Hard and The Shining of the Bear it feels like the bear is some sort of psychic parasite almost that's attached itself to Danny. Because, like he mentioned, he has the red thing around his neck... He also has red- the same red around his hand-his wrists so it looks like he's got handcuffs on basically these red handcuffs and the red is associated with the hotel because it's blood. In the lobby big pillars, they're all these big red pillars that he walks by. It's it almost is like that's the frozen blood of the, that's going to come out of the elevator and so there's just so much symbolism going on that like you say it could take two six eight hours to talk about them. Yeah I just thought the bear thing was interesting because the examples are there and the fact that their intentionally placed or seemingly intentionally place 42 seconds apart, it's just interesting

50:54 That other thing is that Die Hard, directed by John McTiernan. Directed Die Hard with a Vengeance as well. He's predictive of 9-11. He also directed The Hunt for Red October with Alec Baldwin and Sean Connery and if you go watch that movie the first scene it's Alec Baldwin in his house and his daughter comes up to him she's got a teddy bear I can't sleep. Stanley keeps waking me up! Stanley's the bear." The whole movie is bookended by this quest to find Stanley, the bear a little baby brother of another bear and he goes to the head of the CIA and they say oh he mentioned Stanley and the head of the CIA who was James Earl Jones says who's Stanley? And Alec Baldwin says Stanley is a bear

51:48 What? What is this, why? I guess they explicitly say it was designed to look like the monolith of 2001. Well, it's basically at ground zero when 9-11 happened so you could say the monolith was there watching the event if the monolith is supposed to be this like alien artifact or in the film this thing that travels through time that might be like a weird AI or something just some observer of human evolution and culture

52:37 It was there on 9-11 in our real world space watching that event. That strikes me as interesting Yeah, it's extremely interesting I mean it looks if you side by side with the Millennium Hilton Hotel and the ground zero With the monolith dug out on the moon Its very similar image You know the monolith presiding over this big hole in the ground Kubrick and 9-11 yeah, I mean since he directed 2001 A Space Odyssey and then 9-11 happens in 2001. That's just a very kind of conspicuous link that it kind of gets underplayed honestly by a lot of people, that he pointed to 2001 and then that's the time of the big millennial event. And so again one of Marks' big things was that Kubrick was all plugged into the bad guys! He even helped design 9-11

53:38 Kubrick production just like the moon landing which is kind of insane but again it's like. It seems like it true more than that might be true but well there is that phenomenon where people say that certain cgi things look very real until you have more advanced CGI and then you look in retrospect, you're like oh that didn't really look real at all. And there's a lot of people analyzing the 9-11 planes through that perspective and when you aren't in a heightened emotional state and it's not fresh in your mind, you're not looking at... You rewatch it and frame by frame you're like that plane kind of looks like it disappears before does any damage to the building. If we are talking about the moon landing on 9-11 as cinema events

54:28 Which some people say COVID was that too. What did we see at the beginning of COVID? People dying in the streets in China, that wasn't real! That was a fear thing that got put out there right away Yeah Tom Hanks he's an interesting guy Being... He kind has the distinction um Of being one of the few actors who said Who had spoken 237 In multiple roles like He says it in Toy Story and Captain Phillips And there's maybe some other ones, but he's like just super central. Like weird casting for the COVID thing so yes and 237 I did want to touch on too why that number here's a thing i think is interesting about Kubrick is there's a lot of little

55:14 symbolic nods that people pick up on. And when people pick up on them, there seems to be something they get seated where it's like oh well that wasn't intentional because he didn't really want to do it. He wanted her to do this and then that happened. There's like a lot of little cover stories or little twists on why certain things are in the film. One good example is 2001 Oh well It was supposed to be Saturn but they couldn't do Saturn with the special effects so its Jupiter instead Room 237 is also similar in the book. I believe it's 127 or it's did it's a it's 217 Okay, so it's different So it's been switched There's all these weird little things and then apparently the hotel wanted him to use a different room And he was like it's got to be that room well It's well it's interesting. I mean the official story Is that yeah? The Timberline Lodge had

56:09 They had a room 217 and they didn't want people or they thought people would be scared if they thought it was haunted or something so they wanted to change it to A room, they didn't have. So they don't have 237 well we'll change it to 237 that's the story I think thats bullshit but Because it seems like well it's a joke because he is literally saying that the hotel told him what to do its orders from the house you know it's exactly like what's going on in the shining light but hotel is dictating. What to do here but like,

56:48 One more yeah cool bricks choice of two thirty seven two times three times seven is forty two so forty two and to thirty seven are very linked in that way and in the shining there clearly link T. Danny where's forty two on his sleeve you watch this summer forty two one TV he stands he goes into room 237 actually dick halloran the chef is When he has his vision of room 237, he's watching TV and you can hear the TV what are saying right before it right as he slipping into the division. The TV says it's going to be 42 degrees in Denver or 42 degrees somewhere I can't exactly but he mentioned 42 degrees right? As he is going into Room 237 so its like all plugged in there and then one other one other craziest like real world Real Time 237 relates to the Kennedy's

57:41 Which is kind of, I think...I was afraid and sad that Stephen Snyder didn't include this in his book because he's putting this big thing about the Kubrick and the Kennedys. Well JFK was killed on 11-22-63, his brother RFK was killed on June 6th 68'. How much time between those two days? 237 weeks exactly! I mean, if you didn't have any other dateline syncs or whatever and you saw that and then he saw it in 237. He's like this must be related! This must be a comment on... And maybe it is but again there are all these other examples of the number in the date line acting in these weird ways that make gives it kind of a plausible deniability that well maybe not maybe that's just that's just a synchronicity and but we don't know

58:38 Well, and because this number seemed significant you went and looked for examples of two 37 used in films before Kubrick. And there are several there's an old film called the show around the corner from 1940 and the whole film is very intimately about correspondence through mail and letters, and they're always checking P.O box two 37 and They show it they say it's a big part of the film And then there's another one called The Sleeper where Woody Allen says I'm 237 years old I should be collecting Social Security and That's an odd number to choose and that was released 2,370 days before The Shining on the day and then in The Shining

59:30 He says there ain't nothing in room 237 at exactly 2037 seconds into the film. It's really mind-blowing and when you see the actual clips from the movies and you have time going in a corner, then highlight it, bolden on those markings what the hell? Intentional or is it subconscious it's like a really crazy degree of synchronicity. Yeah like i say can set the beginning its sort of feels like who was one of the only people maybe not the only person but one of the few people like consciously aware,

1:00:10 of this underlying cinematic synchronistic system or something, temporal system that was consciously employing it. You don't have to look far before The Shining all you have to do is look actually at the movie Alien which released I think it's 42 weeks and 42 days before The Shining but like Alien the beginning of that the first scene she goes to ask the computer wake what's the story mother interface twenty thirty seven activating what's the story it's like what is what's the deal with two thirty seven like that's the beginning and at the end of alien. She's in a pod and in the hyper sleeper whatever and there is the number seven twenty three on the glass and its position right above her womb

1:01:01 So there's some very clear symbolism going on with Ridley Scott. And then Ridley Scott used unfinished, unused footage from The Shining in Blade Runner afterwards. So you have to wonder like were these guys talking to each other and saying hey, I'm gonna put 237 in my film this week and you're gonna do it next year right? And then David Cronenberg is gonna do a year after that right? You get the sense that there's some weird cinematic cult going on And I didn't realize 2 times 3 times 7 was 42. That to me is like really significant and that's kind of why it's layered in there somehow these numbers must relate to Saturn somehow but you know when you do numerology and break it down 4 into 6, 666? Yeah thats true

1:01:51 Six weeks is 42 days. So like 666 weeks is a 42 times 111 days, so it's six weeks is six weeks is what did you say? Six weeks was 42 days because six, seven, seven day week time six I get two times three. I mean that's strange. Yeah, i mean there is really seems like this our time are the way we measure time is like built around all these numbers. the calendar too, and the Bible even. That's a whole other can of worms." Yeah I've done whole shows on the Bible as a template for trying to manifest revelations or trying to get things in the Bible to happen so you engineer the steps before to try to put us onto that timeline

1:02:43 Well, it definitely seems weird. And there's been so much work done on Freemasons and their hidden codes and their hand signs and secret handshakes. An when you see it in a public appearance, it's like a subliminal sign that hey this is a connected event or connected person or don't listen to the words coming out of my mouth look at the fact that I'm doing the hand sign letting you know this isn't up 237 could be something similar that's been in the occult film history and it just hasn't been unpacked yet because it predates the shining. And you got weird people like Woody Allen using it, not all. Yeah. I don't know if we didn't mention at all possessed either. That's the earliest known example that we have from 1931. It's kind of a whole rabbit hole on its own. We don't have much time but it's Joan Crawford is in possessed

1:03:39 1931, but then there's also another movie Joan Crawford is in that's called Possessed. That was released on Kubrick's 19th birthday and both of them have 237 in them at the exact same time. At the exact same time? The exact same time like it's three minutes and 51 seconds like its beyond weird It's one of the keystone like beyond weirdness that we've found Is I've written about it a couple of my articles it's already all right about it again. It's really amazing synchronous well that is a good one to go out on way to stick the landing

1:04:21 Let people know about where they can learn more and read your stuff because you really do have to go into the details. It requires a visual reference, it kind of requires this stuff being written down rather than listened to but tell them where to go! Yeah well just cryptocuberology.com if you can spell that K-U-B-R-O L-O-G Y And also on Twitter, the same. That's basically my two main outlets for where I do my thing. My website is a substack where I just...I do detailed articles. Twitter is more just for fun and promotion and then I'm also on our pretty regular guest on Sync Tank which is a YouTube show put on by Andreas Zertes and that's on Tuesdays. I'm on there occasionally

1:05:12 Yeah, and you can also still go onto YouTube and watch Sean's videos which are still up. I don't know how long they're going to be up? Watch them while they're there he's got lots of detailed stuff including us talking there's two videos which is actually us in conversation You can hear him talk and get a sense of what he was like too so that's worth doing Yes, and it's sad that you've lost two colleagues on this journey with you. And it's sad that I'll never get to interview Sean about the Rife documentary that really got us connected and what a roundabout way to even be connected? And then to do a show like this kind of in his honor all for a reason. I think it's all working out exactly we are just pawns in the great chess board but

1:05:57 But thanks for doing this, man. Lots of interesting connections. Really great to talk to someone who has such detailed work and also understands and likes the vibe at this show it's always just a nice little icing on the cake so thank you and take care! You too man thanks a lot. It's been a blast Sweet baby Jesus. We have it probably a bit unexpected and I know these are love it or hate it kinds of episodes, but I just really get into this synchromistic pattern recognition kind of stuff. I mentioned at the beginning the strange way this interview came to be because I was really trying to cover the Rife documentary that his partner Sean made and then it turned into this once he told me more about the crypto Kuberology work

1:06:46 And Sean died as we were already starting to talk about doing an interview. Sad that he couldn't join us Also quick sidebar though on the logistical side of things for me here at home I figured out how so many YouTubers can talk so long without looking at notes or stopping to gather their thoughts They have Home Use Teleprompters where the webcam sits right behind the words, you know See, I'm so far outside of this subculture and doing my own thing. I haven't paid attention to what's grown up all around me and now that i am in the video space, I need to know about these things but none of these people tell you that they have home teleprompters though they are really helpful repeat the line

1:07:31 So let's talk a bit more about the bears thing. I know it might sound silly or out of place but just because we don't know why it is there doesn't mean that its not there. I tried to make sure the right visuals went up at the right time during that section and I definitely don't know what it means But I'm pretty convinced it's intentional at least maybe it's stellar stuff, but the eye on the teddy bear being the exact match for the elevator display and then being side by side like two eyes. And then them being shown 42 seconds apart there some weird magic happening in there and the poster Alex directed me to a place where Sean highlighted The Hidden Bear face a bit better It's totally there

1:08:16 Not only is it there, but the poster on its own makes no sense for the movie. It's like the subliminal message was more important than it actually making sense to promote the movie at the base level and here's another iconic image from The Shining and he shows where the lighting creates more bears some stronger candidates than others I don't see the one on the mom's face at all personally but the others are there Audio listeners hate this, but I'll put the images in the show notes too. So you could be following along there if you use an app that will display them not all of them do but some do But there's one more I want to show too and he has many many slides like this, but just look at these chairs! I definitely see it...but if you want more of this just go to subliminal bears 3 shining Kubrick's archons

1:09:07 And I don't know, the guy died and who knows how long his work will circulate so i wanted to pay homage a little bit. Maybe it's a case study in going too deep or whatever as people say but the examples do stack up to make you think there might be something there and so many 237s... It is insane! Funny to me that my man-in-the-booth gave me the assist on the other Jim Carrey green man archetype How could I forget The Batman Forever Riddler? And then I thought more about Jim Carrey in general. Of course he's in the number 23, about seeing these patterns everywhere...23 is two-thirds of 237. What are the odds of that? That a movie about seeing number codes would conform to one of the biggest ones out there is interesting but get this so I just started thinking well I wonder when the movie The Number 23 came out maybe there's a hit

1:10:06 And of course there is. The movie came out to 2307! Now, I'm sure a movie about the number 23 would come out on the 23rd easy marketing trick but in 07? I'm losing it guys...I'm losing it But again if Hollywood itself was named after a tool of druidic magic birthed out of a new technology essentially and we can loop in the overlap between the occult and gifted tech It IS there And it had this majorly outsized impact on culture since its inception. If you come at it from the baseline idea that it's been an occult project from its founding, then you'd expect to see some sophisticated deeply woven stuff like this even if it's experimental in some cases. You'd expect to see the ones who are involved in

1:11:02 Seeding these details exalted in that culture and Kubrick was so just interesting. You know, there's also a Montauk poster in the shining on the wall I just saw that in the trailer of Jay Widener's new Kubrick's Odyssey 3 So good stuff with this kind of material. I very much just like to have examples thrown at me, some are stronger than others that's fine but the ones that hit really do charge me up and if you agree well the second hour just keeps the good times rolling we talked about gatekeeping in Kubrick's legacy and just his life details in general

1:11:41 connections to time travel and pop culture, the sync community itself and what happened to it. Spoiler alert Trump! We also talked about Tom Hanks's career and probably my favorite part the work he has done on Willy Wonka and the strange connections between Elon Musk Gene Wilder and Johnny Depp plus we talked about Spielbergs filmography its loaded with interesting details too Lots of good stuff. Become a Plus member already, feel good about supporting truly independent conversations that you're interested in and get twice as much of them! Another thing from my outline that didn't get fit in is that Alex also had an article in Bitcoin Magazine before it got pulled from the website but he talked about Satoshi publishing The White Paper on Halloween 2008 on top of the orange logo that its associated with that came out way later in an unrelated situation

1:12:38 And then, how curious the first pro-Bitcoin president is often described as the orange man. I consider that a hit! So what even is reality? Alright, but as we do we gotta talk reviews of the last two episodes actually because I did forget. So... We have 7Cs throwing shade at the shady sponsors and technocratic takeover of podcasting dropping in a 4.7! Love to see it. I agree he was very good And we both kind of came to that interview, I thought with details. It probably helped it stay in that upper tier and then there's Tom Montauk a long time highly requested guest. I looked at it yesterday saw 4.6 so that's also very good seems like every show so far in this launch window of THC TV is above a four point five and so I'm a happy guy

1:13:36 I do have the next two recorded and they are interesting. One, I like a lot and the other...I'm still kind of trying to figure out how i feel about it. I don't agree with the guests takes on things but as food for thought and something that's engaging and interesting to listen to It's good! I don't think you'll come away thinking you wasted your time even if you don't agree with everything But everybody is going to have their own opinions so we will see Alright meetup calendar time June 14th, this weekend the Raw Milk Party in Lanesboro Massachusetts. June 19th we have Sterling Massachusetts The Black Sheep Tavern and then June 28th in St Charles Illinois there is a THC slash FE combo meetup I'm wondering if that's Flat Earth? I don't know Also June 28 Orlando Florida The Blue Jacket Park

1:14:29 Magic and Orlando meet up. One more new one, July 5th Roswell New Mexico at Black Cock Brewery! Okay cock-a-doodle-doo see you there? It is the UFO Fest so lots happening I'm sure and then July 21st Eden Terrence Auckland New Zealand Gail Breaths Alehouse I'm getting very used to saying that And I love seeing it go international Awesome. Love it, please remember to try to give me two weeks lead time so I can announce these events on the air because the chances of people randomly checking the calendar and living in close proximity to an event without me calling it out is pretty slim but that is an important piece of the puzzle to keep in mind so that actually people do show up for it. I also saw a Reddit thread on our subreddit that a couple of recent events actually went really well so that's good to see too

1:15:20 There's a lot of clashing, let's just say out in the world right now. So coming together in a positive spirit over such strange subject matter is a beautiful thing. All right that said Crypto K on Twitter if you want to find Alex give him an attaboy or something I know he had a little bit of nervousness but I thought he did great crypto kubrology dot com for his sub stack He's always writing articles And that's it for me. I've done my part, your move Hollywood Wand Wielders 16mm Magic Makers and MK Ultra Inter Trainers Your fucking move

1:16:37 Still don't know. Dot connecting old I flushed everything i've been taught And down the drain it's world Pop culture references My preference is that no one thinks im crazy Numerology's affecting me This is not how money Open your synchromistic to see A well connected tapestry A cabalistic bourgeoisie

1:17:17 Or a thing that happens naturally? Still dope There is a logic to it A cosmic artist touch What does it mean though, I don't know I haven't learned that much Oh, meticulously planned The evidence of some demon trickster's hit We considered a little bit meh Yeah higher side-chat Cause its what Open your synchromistic eyes to see

1:18:16 A well-connected tapestry, a capitalistic bourgeoisie Or thing that happens naturally We still don't know