20:51 Yeah, I can see that. Once you allow spirits to be real then a lot more stuff becomes communal as in a communal act as in thinking building and so on and that's kind of key difference with how we create things comes out of this European theory of mind right which is that your mind is trapped inside your head and the thoughts just appear there unattached to anything else And if you are say an architect or an author or what have you You have a thought And then you impose that thought, you have that thought unattached to any kind of other meaning or idea. Then you impose that though on the world in a form of painting or book or building and this is weird because even if you think which is dumb but even if you think that's how thoughts happen
21:38 A thought isn't something you have, thinking is something you do. And you do it in the context of like you may be in a cafe, you may have had a fight with your lover the night before, you maybe on site wherever you're doing it's already a communal act and once you allow or understand that spirits are some kind of real and so are thoughts then this process opens up and becomes the communal activity that it is everywhere else and I would argue is in fact the case Marcus Matafaro Lloyd is a friend of mine who is in New Zealand and I think it's chapter two from memory, I want to say. Yes! But he's an Ngā Ariki Kaiputahi member so it's in the southeast of the North Island where his ancestral lands are. And ancestral is one of those funny words because they do still live there and they lived here in relation to the dead. Before all the restrictions started literally couple months beforehand, I took some rooms with premium members
22:36 to spend a few days at the Pa site and kind of the meeting land with Matawhero. And the story of what he did, so a pa is like a Maori fort that's the closest it's going to be. It's like a hillfort that you live in right? And so where they lived at the time, Matawhero and his family was sort of next to on this hill beside the sort of sacred Mangatu River. They lived in normal modern kind of well normal Maori accommodation, which is to say there's like a meeting house and all this kind of thing. But anyway, halfway up the hill is the past site for his family and his tribe from the 19th century, which was obviously no longer occupied by living humans. And he worked in Auckland we actually encountered each other in Auckland media many years ago, which has been one of those funny loops
23:30 And he came back to the ancestral lands and for six months, he spent sitting out there looking down. It's this beautiful spot actually in the bend of the river up on the hill looking down at the old past site which just looked like mounds in the grass because that's all it was after 100 years of being abandoned and he sat there With his thoughts and with ancestors, deciding whether or how one could bring this site long abandoned by living humans kind of... This is the trouble. We say like restore it but it didn't go anywhere when we say we restore something It means it's fallen away but in a living universe it's become a place of the dead so it was never not his family's land it was never not his family's par it's just that humans didn't live in
24:14 And so how do you, even understanding something like history? How do you bring back... and this is so crucial because we do things like just cut the grass around a ruined church in England or something. But it's a ruin at that point but these things aren't ruined in a living universe. So he spent six months grappling with these ideas and kind of got to go ahead from his ancestors to what I describe as bringing back into a living context rather than restoring And so you start cutting the grass, you start excavating things all of his own bat with his own money. But more importantly in the process of doing this ideas would come to him about oh this should go here or he'd have spirits or thoughts or whatever you want to call them in his head say in this fareh like this house build a pit of these dimensions and put hot rocks in it and then use a certain kind of local plant
25:08 So they basically told him, in this whare build a sacred steam system. Right? Like you put the plants in and the hot rocks and you get in there and you sort of smoke it out. And he's like that's a bit weird because he was unaware if there was any kind of like sacred steam shall we say technology in Māoridom. Then one of his cousins who is a Māori historian was visiting And he was showing him that and he's like, oh we actually used to do that. That's a thing it's called blah I forget what the word is so Marcus was finding stuff over the course of the doing of the restoring He was getting information that we as humans didn't know at the time but subsequently turned out to be correct So what happens there is this is the difference between restoration and kind of like bringing back into context There's a way of being in a way of thinking
26:01 which we have corollaries for in kind of like Western thought, hence the book. That allows for the dead to be back with us and what happens when you operate from the perspective of a living universe gives you very different outcomes than if you operate from the perspective of a not living universe, where instead of bringing back into context like if this was a government heritage project it wouldn't have been rebuilt in a living sense. It would have been cordoned off and little signs saying this is how they used to live would have been put next to things and it would have fixed it in the past but it's not in the past. It's a place of the dead and the dead are with us and this is such a fundamental difference that
26:43 In the book, you can kind of track there are measurable outcomes from what we would call archaeology and restoration if they come from a place of living universe rather than not. Yes and great points I like the stuff you say about ruins in the book which is you know kinda what you're talking about now is the west sees something that was destroyed or abandoned and we say that's a ruin and we put the police tape around it can't just say don't touch it, add doesn't really even make much sense you know whatever than being in a continuum and alive yeah.