Topic: Occult Humanities Conference

Brian Copenhaver observes a growing thirst among young artists for esoteric material despite historical resistance from traditional art academies. While universities have traditionally funneled students toward the commercial art market, Copenhaver notes a shift evidenced by events like the Occult Humanities Conference at NYU. He argues that while artists must survive financially, they should seek "cracks" in the system to explore deeper spiritual and alchemical meanings in their work.